I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
I realized at a young age that sequence in an album is almost as important as the songs that are on the album.
Interpretation
The order of songs in an album significantly impacts the listener's experience.
Dr. Dre emphasizes the importance of the sequence in which songs are arranged on an album. He suggests that the flow and progression of the tracks can shape the listener's emotional journey, making it as crucial as the individual songs themselves. This insight highlights the artistry involved in album creation, where a thoughtful arrangement can enhance the overall impact of the music.
In practice
In a music review, you could use this quote to discuss the importance of track order.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat
There is in writing the constant joy of sudden discovery, of happy accident.
Perfume is like a parenthesis, a moment of freedom, peace, love and sensuality in between the disturbances of modern living.
How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide.
I cannot force a design; I do not see this process as being under my conscious control.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
Subscribe for the occasional hand-picked quote. No noise.