I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
Chance The RapperRead
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
Interpretation
Achieving success as a local artist in a major festival is a significant milestone.
This quote emphasizes the uniqueness and achievement of Chicago artists who reach the prestigious platform of Lollapalooza, a major music festival. It highlights a sense of pride and aspiration, as the speaker connects their artistic journey with others who have succeeded, indicating that they are following in the footsteps of influential artists and carving out their own path in the music industry.
In practice
In a speech at a music industry conference, referencing the journey of artists who break into major festivals.
I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
You can love somebody through anything when they're your child, and now that I understand that, it makes me work better with people; it makes me more understanding of how much dedication and love I can put into each line. There's no throwaway lines.
I've come to understand that art is awesome and beautiful because it's a reflection of life - but it's just a reflection, and the real thing is my daughter.
When I was working on 'Coloring Book,' I knew that I wanted it to be a beacon for independent artists and music makers with their own agenda.
I don't make Christian rap, but I am a Christian rapper.
People don't want rap to be anything other than it is. But genres expand. My contributions, no matter how they sound, will always be rap, because they'll always be black.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me.
My greatest teacher was not a vocal coach, not the work of other singers, but the way Tommy Dorsey breathed and phrased on the trombone.
Some 'people' think I'm a great singer. They don't know nothin'. I ain't no singer; I just talk in time with the beat and on pitch. That ain't singin'; that's talkin'.
You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
I think the problem with people, as they start to mature, they say, 'Rap is a young man's game,' and they keep trying to make young songs. But you don't know the slang - it changes every day, and you're just visiting. So you're trying to be something you're not, and the audience doesn't buy into that.
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