If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
B. B. KingRead
You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
Interpretation
B. B. King reflects on humility and the influence of others in his musical journey.
In this quote, B. B. King expresses his identity as a blues singer while acknowledging the superiority of other guitarists in the genre. He emphasizes the importance of learning from others and highlights the collaborative spirit of music, portraying humility and respect for his peers in the blues community.
In practice
In a speech at a music award ceremony.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
So I asked him to play "Trav'lin' All Alone." That came closer than anything to the way I felt. And some part of it must have come across. The whole joint quieted down. If someone had dropped a pin, it would have sounded like a bomb. When I finished, everybody in the joint was crying in their beer, and I picked thirty-eight bucks up off the floor. . . . When I showed Mom the money for the rent and told her I had a regular job singing for eighteen dollars a week, she could hardly believe it.
Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
With the lights out, It's less dangerous. Here we are now, Entertain us. I feel stupid, And contagious. Here we are now. Entertain us.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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