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People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.

I'm curious what the acting world is like; I'm so foreign to it that I'd be curious to see what that's all about.

I grew up in Bellport, Long Island where I attended Gateway Acting School and met Robin Allan. She was the school's director who took me under her wing and was the one who told me that I could do this for real.

Sometimes I think I missed out on things like travelling. I'd have been terrified of missing an audition. I didn't start a family because that's not something I take lightly. Acting meant so much to me.

I already have my dream job. Acting was the only thing that ever really kept my attention, and I'm very fortunate that I can have a career doing something I love.

I've - to be honest with you, I've never had an acting lesson. But I've been at drama school for 50 years.

Sean Penn, for his acting as well as his writing and directing. There are so many actors I respect, but his reach is so wide.

Acting is an opportunity for me to try to explore and examine and expose humanity's weaknesses that are intrinsic to our nature as humans and learn from them; thereby, it's like a sociological expose.

Remember, acting is not a business of glamour. It is science, craft and an art. Read about acting; don't do it for the sake of fun. Actors such as Paresh Rawal and Naseeruddin Shah are great examples; they are surviving only because they have read well.

Once, Naseeruddin Shah told me that the wafer shop was the best acting school that I could have attended. And I completely agree. I observed every customer very minutely and picked up some quirk or the other. Later, I used those experiences while playing different characters.

I really don't like too much of the commercial acting in a lot of commercials.

The acting is better when you know your material is being judged.

Acting and singing were just a hobby, but getting into drama school made me realise I could actually do it for a living.

One of my favourite games as a child was to dress up and improvise. Acting seemed obvious.

Acting is an expression of imagination. No firsthand knowledge is necessary.

Acting is playing - it's actually going out on a playground with the other kids and being in the game, and I need that. Writing satisfies that part of myself that longs to sit in my room and dream.

Acting was always there, it's true. But for a long time, in my teenage years, I wasn't sure about it - not because I didn't like it, but I didn't want people to think I hadn't earned it.

Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.

I like finding stuff that I suck at and trying to get better. So I'm taking classes, getting myself comfortable in an acting scene. You've got to work out those ticks. For instance, standing up used to be really hard for me. I act much better if I'm sitting down.

I'm not an outstanding personality, and I'm certainly no beauty. Acting ability is all I've got to trade on.

I'm in the acting business. That's the ego business.

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