It was actually a relief for me to play an actor who was scared, who didn't know where everything was, who didn't know what buttons to push, and for me to be able to play all that.
Sigourney WeaverRead
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It was actually a relief for me to play an actor who was scared, who didn't know where everything was, who didn't know what buttons to push, and for me to be able to play all that.
Very often the Group actor is a critic when he's acting and an actor when he's criticizing.
The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards.
The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready.
When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character.
When I started out I was a failed actor.
An actor knows much more about a character than the character knows about himself.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
Hollywood is a very volatile place where artists come in, and they essentially say they want to belong. It's incredibly vulnerable to be an actor and also get criticism at a young age when you're formulating who you are. We've seen a lot of people fall victim to that, and it's very unfortunate.
I couldn't find an actor to play Freddy Krueger with the sense of ferocity I was seeking. Everyone was too quiet, too compassionate towards children. Then Robert Englund auditioned.
Any comic is a very good actor. Look at Don Rickles. He is saying the same joke every night for 20 years and making it look like he just thought of it.
I always joked with my parents. I told them, 'If I don't make it as an actor, my fallback is musician.'
When someone pitches a joke for a character that is just perfect, and you can imagine that actor reading that line at your table read or on the set, it's like the sound of a snap snapping into place.
Every physicist knows that things connect with each other. To isolate things is not the way the universe works - winning best actor is arbitrary.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
The body cannot lie. You cannot be somebody else onstage, no matter how good of an actor or dancer or singer you are. When you open your arms, move your finger, the audience knows who you are, you know.
You know it's very difficult to be an actor, and to have people depending on you to say the right line, at the right time, and to not be able to hear your cues! I can't tell you how many times I would've had to have said What? if I didn't have my hearing aids. So my hearing aids are a life saver, and they allow me to practice my craft.
All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life.
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
I didn't start out to be a movie star. I started out to be an actor.
You hear about actors being late and all that sort of stuff, but you never find that with an actor who's directed, because an actor who's directed understands all the problems your production is going through.
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