My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character.
Interpretation
The goal of rehearsing a play is to help actors develop their independence in understanding their characters.
In this quote, Sydney Pollack emphasizes the importance of rehearsal in theater as a process designed to cultivate an actor's independence. Rather than simply following directions, the actor must immerse themselves in the nuances of their character's emotional and psychological landscape, ultimately leading to a more authentic performance. This independence is crucial for the actor to truly embody the role and convey it to the audience.
In practice
In a drama class, when discussing the importance of rehearsal.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
In the marginalia ... we talk only to ourselves; we therefore talk freshly - boldly - originally - with abandonment - without conceit.
Poiret made clothes for individual customers, but I wouldn't like to make a dress just for its own sake.
I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.
Certainly there is, for the American Negro artist who can escape the restrictions the more advanced among his own group would put upon him, a great field of unused material ready for his art.
Some of my films are known for the depiction of violence. I don't have anything to prove with that any more.
I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
Subscribe for the occasional hand-picked quote. No noise.