You know how writers are... they create themselves as they create their work. Or perhaps they create their work in order to create themselves.
Orson Scott CardRead
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You know how writers are... they create themselves as they create their work. Or perhaps they create their work in order to create themselves.
The Mediterranean has the color of mackerel, changeable I mean. You don't always know if it is green or violet, you can't even say it's blue, because the next moment the changing reflection has taken on a tint of rose or gray.
IN ALL MY FILMS, IT SEEMED IMPORTANT TO ME TO REMIND THE AUDIENCE TO THE FACT THAT THEY ARE NOT ALONE, LOST IN AN EMPTY UNIVERSE, BUT THAT THEY ARE CONNECTED BY INNUMERABLE THREADS WITH THEIR PAST AND PRESENT, THAT THROUGH CERTAIN MYSTICAL WAYS, EVERY HUMAN BEING REALIZES THE RAPPORT WITH THE WORLD AND THE LIFE OF HUMANITY.
To most people who look at a mobile, it's no more than a series of flat objects that move. To a few, though, it may be poetry.
My whole theory about art is the disparity that exists between form, masses and movement.
Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
Art is the most beautiful deception of all! And although people try to incorporate the everyday events of life in it, we must hope that it will remain a deception lest it become a utilitarian thing, sad as a factory.
There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
I paint and work as a sculptor, and I see architecture as an art... If you follow this approach you can use techniques to the service of man and to the service of an artistic idea, and beauty.
I happen to think that American politics is one of the noblest arts of mankind; and I cannot do anything else but write about it.
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.
If you can make people understand why freedom is so important through the arts, that would be a big help.
In whatever one does there must be a relationship between the eye and the heart.
Who in the world am I? Ah, that's the great puzzle.
The world of reality has its limits; the world of imagination is boundless.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
If it were customary to send daughters to school like sons, and if they were then taught the natural sciences, they would learn as thoroughly and understand the subtleties of all the arts and sciences as well as sons.
I'd prostitute my talents if it would further my cause, steal if there was no way out, killing my friends or anyone else if it would help my art.
I believe that in the history of art and of thought there has always been at every living moment of culture a will to renewal. This is not the prerogative of the last decade only. All history is nothing but a succession of crises - of rupture, repudiation and resistance. When there is no crisis, there is stagnation, petrifaction and death. All thought, all art is aggressive.
How long do you remember that it is the Lord who is making you work? But then, by repeatedly analysing like that, you will come to a state when the ego will vanish and in its place the Lord will come in. Then you will be able to say with justice "Thou, Lord, art guarding all my actions from within." But, my friend, if the ego occupies all the space within your heart, where forsooth will there be room enough for the Lord to come in? The Lord is verily absent!
Art is not a pastime but a priesthood.
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