Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
Rudolf ArnheimRead
Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
Interpretation
Variety enhances the depth and appreciation of art beyond mere entertainment.
Rudolf Arnheim highlights that variety in art serves a greater purpose than just preventing monotony; it enriches our understanding and experience of art itself. By suggesting that art transcends mere sensory pleasure, he implies that it engages us intellectually and emotionally, inviting deeper contemplation and interaction.
In practice
In a discussion on art appreciation, this quote can emphasize the importance of variety in creative expressions.
Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.
Nothing is more humbling than to look with a strong magnifying glass at an insect so tiny that the naked eye sees only the barest speck and to discover that nevertheless it is sculpted and articulated and striped with the same care and imagination.
Once it is recognized that productive thinking in any area of cognition is perceptual thinking, the central function of art in general education will become evident.
Man's striving for order, of which art is but one manifestation, derives from a similar universal tendency throughout the organic world; it is also paralleled by, and perhaps derived from, the striving towards the state of simplest structure in physical systems.
The arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought.
The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Pleasure to me is wonderβthe unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability.
Fiction is not imagination. It is what anticipates imagination by giving it the form of reality. This is quite opposite to our own natural tendency which is to anticipate reality by imagining it, or to flee from it by idealizing it. That is why we [Europeans] shall never inhabit true fiction; we are condemned to the imaginary and nostalgia for the future.
In architecture the idea degenerated. Design allows a more direct and pleasurable route.
On those who overanalyze his music: When you tear the wings off a butterfly, it is no longer a butterfly
Music is a science which should have definite rules; these rules should be drawn from an evident principle; and this principle cannot really be known to us without the aid of mathematics.
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