It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.
Ezra PoundRead
Artists are the antennae of the race, but the bullet-headed many will never learn to trust the great artists.
Interpretation
Artists have a deep insight into the human experience, yet they often face skepticism from the general populace.
In this quote, Ezra Pound suggests that artists possess a unique sensitivity and awareness that allows them to perceive and interpret the deeper truths of society. However, he also points out that the larger, less discerning population may not recognize or appreciate this value, often leading to mistrust and misunderstanding of artistic expression.
In practice
In a speech about understanding art, one might quote Ezra Pound to illustrate the disconnect between artists and the general public.
It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.
The ant's a centaur in his dragon world. Pull down thy vanity, it is not man Made courage, or made order, or made grace, Pull down thy vanity, I say pull down. Learn of the green world what can be thy place In scaled invention or true artistry, Pull down thy vanity, Paquin pull down! The green casque has outdone your elegance.
I desired my dust to be mingled with yours Forever and forever and forever.
Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.
In our time, the curse is monetary illiteracy, just as inability to read plain print was the curse of earlier centuries.
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
I used to be more involved with every aspect of everything onstage. I'm way more relaxed now. It feels like anything can happen.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically β that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
It is only the untalented director who imagines him or herself in every part, wants his or her own thoughts and emotions portrayed; it is only the untalented who make their own limitations those of the actors as well.
Even though fixed in time, a photograph evokes as much feeling as that which comes from music or dance. Whatever the mode - from the snapshot to the decisive moment to multi-media montage - the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case, the eyes have it, and the imagination will always soar farther than was expected.
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
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