I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.
Jimmy PageRead
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I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.
Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.'
It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.
Everything is autobiography, even if one writes something that is totally objective. The fact that it's a subject that seizes you makes it autobiographical.
An autobiography can distort; facts can be realigned. But fiction never lies: it reveals the writer totally.
The biography of a writer - or even the autobiography - will always have this incompleteness.
But if writing about people who are not yourself is illegitimate, then the only legitimate work is autobiography; and as a reader and a citizen, I don’t want to live in that world.
Only if I reach 100 years old will I write a very complete autobiography. Not before.
For what is a poem but a hazardous attempt at self-understanding: it is the deepest part of autobiography.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
Empathic listening is so powerful because it gives you accurate data to work with. Instead of projecting your own autobiography and assuming thoughts, feelings, motives and interpretation, you're dealing with the reality inside another person's head and heart. You're listening to understand. You're focused on receiving the deep communication of another human soul.
There are people who can write their memoirs with a reasonable amount of honesty, and there are people who simply cannot take themselves seriously enough. I think I might be the first to admit that the sort of reticence which prevents a man from exploiting his own personality is really an inverted sort of egotism.
Autobiography, if there really is such a thing, is like asking a rabbit to tell us what he looks like hopping through the grasses of the field. How would he know? If we want to hear about the field on the other hand, no one is in a better circumstance to tell us-so long as we keep in mind that we are missing all those things the rabbit was in no position to observe.
It is long ere we discover how rich we are. Our history, we are sure, is quite tame: we have nothing to write, nothing to infer. But our wiser years still run back to the despised recollections of childhood, and always we are fishing up some wonderful article out of that pond; until, by and by, we begin to suspect that the biography of the one foolish person we know is, in reality, nothing less than the miniature paraphrase of the hundred volumes of the Universal History.
There is a tendency to presume autobiography in fiction by women or minorities. Guys named Jonathan write universal stories, while there's this sense that everyone else is just fictionalizing their own small experiences.
Read to your children all of the time_x000D_ Novels and nursery rhymes_x000D_ Autobiographies, even the newspaper_x000D_ It doesn't mater; it's quality time_x000D_ Because once upon a time _x000D_ We grew up on stories in the voices in which they were told _x000D_ We need words to hold us and the world to behold us _x000D_ For us to truly know our souls
The remarkable thing is that it is the crowded life that is most easily remembered. A life full of turns, achievements, disappointments, surprises, and crises is a life full of landmarks. The empty life has even its few details blurred, and cannot be remembered with certainty.
My autobiography is a digressive illustration and exemplification of what race has meant in the world in the 19th and 20th centuries.
What's upsetting about an autobiography is that the final chapter is always missing. I mean, you want the death, don't you?
Autobiography should be more stringent. It should adhere more to the standards of journalism - assuming that journalism has the truth. The memoir gives you more scope, is more poetic, and allows you to play around with your own life.
Few men would dare to read their own autobiography if all their deeds were recorded in it; few can look back upon their entire career without a blush.
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