No bad man can be a good poet.
Boris PasternakRead
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219 quotes
No bad man can be a good poet.
Every time something bad happens to me, I don't ask the question, 'Why did it happen to me?' The question I ask is, 'Why did it happen for me?'
To me, wrestling is therapy. No matter how bad my personal situation is, when I step into the ring, all my troubles disappear. My baggage stays in the back where it belongs.
We are strangely biased, as individuals and media institutions, to focus on big sudden changes, whether good or bad - amazing breakthroughs, such as a new gadget that gets released, or catastrophic failures, like a plane crash.
The best cure for one's bad tendencies is to see them fully developed in someone else.
I don't beat myself up any more about going to work. It doesn't mean I'm being a bad mother just because I want to go and do my job sometimes.
If you want to make short-term profits from the stock price, then I am a very bad president. But I don't think I'm so bad for maximizing the long-term value of Nintendo.
Good luck is when opportunity meets preparation, while bad luck is when lack of preparation meets reality.
Cancer has made me mentally and spiritually stronger. But as my life starts to go back to normal, I find that some of my old, bad habits are still lurking in the shadows.
I reject the idea that the guy who comes out of Yale and goes to work in the projects in Newark is good, and the guy who goes to work for a white-shoe law firm is bad. We're all mountain rangers. We all have peaks and valleys.
I love science fiction. There are ways in which this community kept me and my partner alive through some very, very bad years, and I will always acknowledge that.
Good cinema is what we can believe, and bad cinema is what we can't believe.
I couldn't see passion as a bad thing.
Write every day, just to keep in the habit, and remember that whatever you have written is neither as good nor as bad as you think it is. Just keep going, and tell yourself that you will fix it later.
If the code does indeed have some logical foundation then it is legitimate to consider all the evidence, both good and bad, in any attempt to deduce it.
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
I care about me now. When I didn't care about me, I was, like, 'Why is this going wrong? Why is my life so bad?' But when you don't care about yourself, nobody else is going to care about you. So I learned to love myself, even if nobody else does.
My main piece of advice would be don't worry about being published - just write a really good book, but also don't be afraid to write a bad book. Give yourself permission to fail, and don't be afraid.
I am not very relaxed about bad reviews. But I am resilient. I grieve, curse and swear, put on loud music, and get on with the next job.
There are so many bad influences out there. I don't care if a kid is rich or poor, if he lives in a million-dollar house or the ghetto, he is going to find some sick things on the street. And if we don't clean it up soon, we're all going to pay the price.
I began going to juvenile prisons. And some of these kids face some very, very tough lives. How do they handle these lives? Do they even know that if their life is bad, that they're still OK? Do they know that? Do they know that someone is thinking the same way that they're thinking?
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