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I've always loved black culture; I don't know any other way to put it. Since I was a kid I loved music and early jazz, Sly and the Family Stone. I'm older - I'm in my early 50s - so you'll have to excuse me. That was always very exciting to me to connect to the culture on that level.

People always ask me: 'Do you have black in you? Do you have Spanish in you?'

The very first film I ever saw was a pirate movie called 'The Black Swan' with Tyrone Power. And I thought that was great stuff. Of course, in those days, Technicolor was really Technicolor; there was no such thing as desaturation. Everybody looked super suntanned.

On 'Black Hawk Down,' I was employing 1,000 Muslims. 'Kingdom of Heaven,' same deal except bigger, probably 1,500 Muslims.

I'm an Englishman who did a film on Mogadishu, 'Black Hawk Down.'

If you're going to make black movies only about black people, that's as bad as white movies only about white people.

Black Fergusonians have shown that they will vote when they have something to vote for and know that their vote will count. Seventy-six percent of them turned out in November 2012, when Missouri was a key swing state for Barack Obama's reelection.

Lil Yachty is opening up that lane of being a black weirdo.

We grow up to respect the gray. Black or white, one or the other, is childish. It represents the worldview of someone who does not know the world.

I believe I've always been so successful on the black market for a lot of different reasons.

When I first started working on 'The Wood,' these people couldn't grasp the concept that, one, there is a black middle class, and, two, Inglewood is a part of it.

I don't like the term 'black film,' and I am proud to be black.

'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'

Because of technology, there's no longer the social shaming that goes on if you're a black kid walking into a record store to buy Nirvana.

Black markets exist any time there is a profit to be made.

Under Howard, federal government support for black Australia slowly dried up. Services were slashed, native title restricted.

Black Saturday reminded many Australians of what they know only too well: that of all the advanced economies, Australia is perhaps the one most vulnerable to climate change.

Unlike some mainland black groups, Tasmanian Aborigines now have no traditional tribal culture left. It was taken from them with great violence and great rapidity.

John Howard, willing to apologise to home owners for rising interest rates, would not say sorry to Aborigines. He refused to condone what he referred to as 'a black armband version' of history, preferring a jingoistic nationalism.

I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.

I always felt culturally adrift as a child because I'm mixed race. I've had to deal with that since I was little. Who am I? What makeup do I have? What are the black and the white?

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