I can no more reread my own books than I can watch old home movies or look at snapshots of myself as a child. I wind up sitting on the floor, paralyzed by grief and nostalgia.
Francine ProseRead
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240 quotes
I can no more reread my own books than I can watch old home movies or look at snapshots of myself as a child. I wind up sitting on the floor, paralyzed by grief and nostalgia.
You don't need to have kids to write a good book for kids. I don't want my kids to see themselves in my books. Their lives should be their lives.
Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers.
I hope children will be happy with the books I've written, and go on to be readers all of their lives.
For me, books have always been a way to feel less alone while being alone. Perhaps if I was depressed and isolated, just communicating with these authors through their sentences helped me.
Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.
One of the great things about books is you can afford to do anything.
Jews read the books of Moses not just as history but as divine command. The question to which they are an answer is not, 'What happened?' but rather, 'How then shall I live?' And it's only with the exodus that the life of the commands really begins.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
I've read plenty of amazing science pieces where the writers don't hang out in labs. I just have fun doing it. And I get rewarded for it; I get gushy, especially when kids tell me they expected to be bored by my books, but weren't.
I do not write for this generation. I am writing for other ages. If this could read me, they would burn my books, the work of my whole life. On the other hand, the generation which interprets these writings will be an educated generation; they will understand me and say: 'Not all were asleep in the nighttime of our grandparents.'
I think children love reading, and they will make time for it if we put the right books into their hands. And I hope I get the chance to keep being one of the people that writes them.
Through books and photographs, I saw a world that was not my own - and I realized that there was another world. That's why I'm concerned about education, because it helps our children see other worlds.
I always wanted to grow up in a house full of books, English books, and I wanted the sort of fireplaces that worked, overstuffed chairs, that whole kind of fantasy of a bookish New England life. So the library gave me that; for the hours that I was there, I was surrounded by that atmosphere that I craved in my life.
As a kid, I lived almost entirely inside books, and eventually the books started returning the favor. A lot of my internal world feels like an anthology, or a library. It's eclectic and disorganized, but I can browse in it, and that hugely shapes both what and how I write.
Books about spies and traitors - and the congressional hearings that follow the exposure of traitors - generally assume that false-negative errors are much worse than false-positive errors.
My books are not 'political.' I don't make political demands. They actually describe life. But when we look at human life, politics creeps in everywhere.
I'm a writer. In Latin America, they say I'm a Latin-American writer because I also write in Spanish and my books are translated, but I am an American citizen and my books are published here, so I'm also an American writer.
There are a lot of books about how to get organized and a lot of books about how to be better and more productive at business, but I don't know of one that grounds any of these in the science.
Half of my library are old books because I like seeing how people thought about their world at their time. So that I don't get bigheaded about something we just discovered and I can be humble about where we might go next. Because you can see who got stuff right and most of the people who got stuff wrong.
Like books and black lives, albums still matter.
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