Quotes on Clay

Long ago I yearned to be a hero without knowing, in truth, what a hero was. Now, perhaps, I understand it a little better. A grower of turnips or a shaper of clay, a Commot farmer or a king--every man is a hero if he strives more for others than for himself alone. Once you told me that the seeking counts more than the finding. So, too, must the striving count more than the gain.

To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.

Futility Move him into the sun - Gently its touch awoke him once, At home, whispering of fields unsown. Always it woke him, even in France, Until this morning and this snow. If anything might rouse him now The kind old sun will know. Think how it wakes the seeds, - Woke, once, the clays of a cold star. Are limbs, so dear-achieved, are sides, Full-nerved -still warm -too hard to stir? Was it for this the clay grew tall? -O what made fatuous sunbeams toil To break earth's sleep at all?

The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil.

If we do not use great care to mortify our will, there are many things which can deprives us of the holy freedom of spirit that we are seeking in order to fly more freely to our Creator, without always being bogged down with the clay of this earth. Moreover, there can never be solid virtue in a soul that is attached to its own will.

We are all potentially such sick men. The sanest and best of us are of one clay with lunatics and prison-inmates. And whenever we feel this, such a sense of the vanity of our voluntary career comes over us, that all our morality appears but as a plaster hiding a sore it can never cure, and all our well-doing as the hollowest substitute for that well-being that our lives ought to be grounded in, but alas! are not.

Convince yourself that you are working in clay, not marble, on paper not eternal bronze: Let that first sentence be as stupid as it wishes.

If you are playing bad you are going to lose here, on clay, on ice, or on the beach.

Shape clay into a vessel; _x000D_ _x000D_ It is the space within that makes it useful. _x000D_ _x000D_ Cut doors and windows for a room; _x000D_ _x000D_ It is the holes which make it useful. _x000D_ _x000D_ Therefore benefit comes from what is there; _x000D_ _x000D_ Usefulness from what is not there.

If you knew yourself for even one moment, if you could just glimpse your most beautiful face, maybe you wouldn’t slumber so deeply in that house of clay. Why not move into your house of joy and shine into every crevice! For you are the secret Treasure-bearer, and always have been. Didn’t you know?

Cold hopes swarm like worms within our living clay.

Our thoughts are clay, they are moulded with the changes of the days;--when we are resting they are good; under fire, they are dead. Fields of craters within and without.

Yet some can be patriotic who have no self-respect, and sacrifice the greater to the less. They love the soil which makes their graves, but have no sympathy with the spirit which may still animate their clay. Patriotism is a maggot in their heads.

Memory depends mainly upon myth. Some even occurs in our minds, in actuality or in fantasy; we form it in memory, molding it like clay day after day - and soon we have made out of that event a myth. We then keep the myth in memory as a guide to future similar situations.

Clay is moulded to make a vessel, but the utility of the vessel lies in the space where there is nothing. . . . Thus, taking advantage of what is, we recognize the utility of what is not.

Clay is fashioned into vessels; it is on their empty hollowness that their use depends. Doors and windows are cut out to make a dwelling, and on the empty space within, its use depends. Thus, while the existence of things may be good, it is the non-existence in them that makes them serviceable.

A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.

Never put your money against Cassius Clay, for you will never have a lucky day.

I had hundreds of books under my skin already. Not selected reading, all of it. Some of it could be called trashy. I had been through Nick Carter, Horatio Alger, Bertha M. Clay and the whole slew of dime novelists in addition to some really constructive reading. I do not regret the trash. It has harmed me in no way. It was a help, because acquiring the reading habit early is the important thing. Taste and natural development will take care of the rest later on.

For anew Self to be born, hardship is necessary. Just as clay needs to go through intense heat to become strong, Love can only be perfected in pain.

Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can't escape, Yet can't accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.