I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
Bo BurnhamRead
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I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
Today, comics is one of the very few forms of mass communication in which individual voices still have a chance to be heard.
You know what male comics can't do? They can't get pregnant. They can't perform pregnant. So my attitude is, just use all those differences.
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
I miss seeing real comics, Shecky Greene and Buddy Hackett, those types. I like straight stand-up, talking about the Olympics and why I feel obligated to watch them. 'Why am I watching archery at 4 in the afternoon?'
When people say 'What are underground comics?' I think the best way you can define them is just the absolute freedom involved... we didn't have anyone standing over us.
People try to pigeonhole comics by saying they're just for kids. So is The Odyssey. So is the Labors of Hercules, the story of Fa Mulan. The advantage of those stories over the contemporary ones is that they've had 2,000 years of editing. All the crap has been weeded out over time.
Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
I got taught a lot of great lessons by superhero comics as a kid about virtue and self-sacrifice and responsibility. And those were an important part of imprinting my DNA with ethical and moral values.
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers.
Girls have always read comics. There's nothing intrinsically masculine about telling stories with pictures.
All the pictures I could never do, I'll do it in comics. All the comics I do are the pictures I could never do.
I looked out into the audience, saw dozens of faces I knew well - LGBTQ folks, mostly - all avid comics readers and superhero fans and DC supporters, and it just hit me: Why was this so impossible? Why in the world can we not do a better job of representation of not just humanity, but also our own loyal audience?
There's only one rule in stand-up, which is that you have to be funny. Yet 99 per cent of comics look and talk exactly the same.
Writing and drawing comics for the sheer joy of it - that's true bliss.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
There's that old cliche that art is never finished, only abandoned. That's the nice thing about comics. It forces you to abandon it long before maybe you're ready to let it go.
There are certainly other female comics who are moms, but I don't know any who are actively touring with their kids. But there are more and more becoming moms, and it's awesome. I feel we're in a super sisterhood.
Comics deal with fundamental archetypes. We've been called the myth-makers of the modern age.
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