Copy, art, and typography should be seen as a living entity; each element integrally related, in harmony with the whole, and essential to the execution of an idea.
Paul RandRead
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Copy, art, and typography should be seen as a living entity; each element integrally related, in harmony with the whole, and essential to the execution of an idea.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
I know some of my memories are made up and they are far more powerful than the things that actually happened. For example, I always remember my brother posting me a copy of 'Dubliners' from Africa, but he says he never did.
One reason you should not use web applications to do your computing is that you lose control. It's just as bad as using a proprietary program. Do your own computing on your own computer with your copy of a freedom-respecting program. If you use a proprietary program or somebody else's web server, you're defenceless.
I take a certain pride in having maintained a reputation for fast copy throughout my newspaper career. Fast-breaking stories left my typewriter in a hurry. Not great literature, perhaps, but fast, and usually accurate.
My last vivid boyhood fright from books came when I was 15; I was visiting my uncle and aunt in Greenwich, and, emboldened by my success with 'The Waste Land,' I opened their copy of 'Ulysses.' The whiff of death off those remorseless, closely written pages overpowered me. So: back to soluble mysteries, and jokes that were not cosmic.
I'm still a bit of a reading glutton, I think, because I browse, read a bit of the back copy, flip through the book, read a bit of the text, and if it still seems fascinating, I read it. That's why my bedside table is so cluttered: I want to imbibe it all.
When I see kids standing next to their mothers at book signings, clutching a copy of 'Forever,' I know what's coming. They'll say to me, 'How old do I have to be to read this?' hoping I'll give them permission. But I can't do that.
Whenever I'm asked to autograph a copy of 'Nudge,' the book I wrote with Cass Sunstein, the Harvard law professor, I sign it, 'Nudge for good.' Unfortunately, that is meant as a plea, not an expectation.
If we doubt the power of literature and art to civilise, how come no one has ever been mugged by a person carrying a well-thumbed copy of 'Middlemarch' in his back pocket?
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