Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.
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Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.
There are two kinds of people in this world: those who want to get things done, and those who don't want to make mistakes.
I - and I still consider myself, I'm sorry to tell you, a Marxist and a Communist, but I couldn't help noticing how all the best Marxist analyses are always analyses of a failure.
Misfortunes one can endure--they come from outside, they are accidents. But to suffer for one's own faults--ah!--there is the sting of life.
I think that the failure of newspaper competition in a community is a very serious handicap to the dissemination of the knowledge that the citizens need to participate in a democracy.
Most leadership strategies are doomed to failure from the outset.
I'm not going to get somewhere and say, 'OK, I'm done.' Success is never final; I'll just keep on going. The same way as failure never being fatal. Just keep going. I'm going to the stars and then past them.
Each man is capable of doing one thing well. If he attempts several, he will fail to achieve distinction in any.
If you've gone into a marriage and you haven't been clear about how you're going to handle money, how you want to raise kids, who is going to work or stay home or what have you, then you've set yourself up for failure.
You know what the Quran teaches me? The Quran teaches me that an incredibly wealthy man can be a failure (Firaun) and a homeless man can be successful (Prophet Ibrahim). It teaches me that success has nothing to do with wealth and failure has nothing to do with poverty.
Everything you want is on the other side of fear.
I'm sure there are many more people who can identify with failure and hardship in life than with the success of an Alexander Hamilton or a John D. Rockefeller.
Even failures can turn into something positive if you just keep going. I wrote a television pilot called 'Head of the Family.' CBS didn't want it. It was considered a failure. But we reworked it. A year later, it became 'The Dick Van Dyke Show.'
Always, when I do a play, there's got to be an equation of risks and potential failure. When you're working on a new play, it's like, 'How the hell do I do this, and do we have the time?' All of these huge questions engage, hopefully, the smartest part of me. And then when you're doing a revival, I went, 'Well, somebody's already solved it.'
It's not compatible to expect multilateralism to work and, at the same time, to expect to walk out with everything you wanted. This is a recipe for failure. If we prize the system, we have to come knowing that we will need to make compromises. Sometimes painful compromises.
It is better to fail in originality than to succeed in imitation.
Failure seldom stops you. What stops you is the fear of failure.
If you want to succeed, double your failure rate.
I'm drawn to failure. I feel like I'm contending with it constantly in my own life.
I've loved every minute I've spent in television. And I've had much more failure, as traditionally measured, than success in television. I've done four shows, and only one of them was the 'West Wing.'
When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest.
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