I think speculative fiction has fewer unspoken prerequisites than literary fiction for writers of color.
Nnedi OkoraforRead
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I think speculative fiction has fewer unspoken prerequisites than literary fiction for writers of color.
One of the things that science fiction gets to do is thought experiments about the human condition that would be impractical or unethical to conduct in real life.
The lovely thing about writing is, well, two things. One, writing fiction allows us to bring an order to our lives that doesn't exist in real life. And two, it allows us to create human characters that we know better than we will ever know anyone in real life.
Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.
Do you not see with your own eyes the chrysalis fact assume by degrees the wings of fiction?
The competitions between fiction and nonfiction, short and long, electronic and paper, are not battles in which there can be only one victor. After all, we exist in a world where more kinds of writing than ever are greeted with interest and enthusiasm.
I find in my own writing that only fiction - and rarely, a poem - fully tests me to the kind of limits of what I know and what I feel.
The God of the Old Testament is arguably the most unpleasant character in all fiction: jealous and proud of it; a petty, unjust, unforgiving control-freak; a vindictive, bloodthirsty ethnic cleanser; a misogynistic, homophobic, racist, infanticidal, genocidal, filicidal, pestilential, megalomaniacal, sadomasochistic, capriciously malevolent bully.
Fiction is burdened for me with a sense of duty.
I needed my life as a springboard for my fiction. I have to have something solid under my feet when I write. I'm not a fantasist. I bounce up and down on the diving board, and I go into the water of fiction. But I've got to begin in life so I can pump life into it throughout.
Fiction is the most joyous, beautiful, sophisticated, wonderful thing in the world.
What's needed today, now, more than ever, is 'Star Peace' for there is an ominous, mutual threat to all science fiction. It's called 'Twilight'. And it is really, really bad.
There's a certain grain of stupidity that the writer of fiction can hardly do without, and this is the quality of having to stare, of not getting the point at once. The longer you look at one object, the more of the world you see in it; and it's well to remember that the serious fiction writer always writes about the whole world.
Great genius takes shape by contact with another great genius, but less by assimilation than by friction.
If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write.
For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.
We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
In the century-long history of Chinese science fiction, apocalyptic themes were mostly absent. This was especially true in the period before the 1990s, when Chinese science fiction, isolated from the influence of the West, developed on its own.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated communist, but people for whom the distinction between fact and fiction, true and false, no longer exists.
The Almighty appeared on earth as a helpless human baby, needing to be fed and changed and taught to talk like any other child. The more you think about it, the more staggering it gets. Nothing in fiction is so fantastic as this truth of the Incarnation.
Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
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