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My whole family can talk. They are all car salesmen. They are all funny.

A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.

Being a humorist is not a voluntary thing. You can tell this because in a situation where saying a funny thing will cause a lot of trouble, a humorist will still say the funny thing. No matter how inappropriate.

Even for natives, French satire is rarely laugh-out-loud funny. Its unspoken punch line is typically that things have gone irrevocably wrong, and the government is to blame.

A lot of people didn't know I was doing Broadway. They thought I was one of those guys who was famous for being famous. I was the one who sat next to Charles Nelson Reilly and said funny things.

It's funny, I never watch TV. I watch Fox News.

It may sound funny, but it's true: I tried to put myself through the 12-step program. I didn't want to attend a real meeting; my role didn't really require that, and I feel those meetings are sort of sacred, and they're anonymous for a reason. I tried to deal with some of my love of snacks - and I relapsed a lot.

The funny thing is that I used to be a blogger, but it wasn't known as 'blogging' at that time. This was in the '99/2000 time frame.

If people still trust me with a funny line, then that is fine. If that is what gets me work.

When you grow up without it, you want to have it. It's funny, in America some people say, 'Why do you want to make money so much?' And I say, 'Well, I guess you didn't starve as a kid.'

My first gigs were at university: I'd dress up as Jesus, jump off a cross and dance to a Mick Jagger song. I don't know if it was funny or not, but it was a start.

As a kid, I thought of myself as a funny person who secretly wanted to be serious, but now I think maybe I'm a serious person who secretly wants to be funny.

It's funny, I'm very analytical in my real life, but in terms of my films, I try to not analyze them at all and let things just go into them and let them be what they are. I mean, people ask me to this day what 'The Squid and the Whale' stood for, and I have no idea except that it's an exhibit in the Natural History Museum.

Some of my favorites include 'Walking the Room' and 'Never Not Funny' and 'FitzDog Radio', Greg Fitzsimmons' podcast.

I'm serious, in general, and I guess I cling onto the little freedom I have offscreen. Having said that, I am funny and, at the same time, detached from a lot of things in life.

I'm a very funny man, so funny comes natural. And if you want to create horror, you need to be funny or campy.

I know Jonathan Van Ness from comedy, and he's got this wonderful show on Funny or Die called 'Gay of Thrones.'

Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.

God, in a dream, talked to me, and he gave me that name. I'm like, 'you know what God? That is a funny name! I might need to run with it!' And ever since then, I've been calling myself Swaggy P. It's a household name.

A lot of what 'Funny Girl' is about, for me, is the experience feeling very happy doing a certain thing with a certain group of people. That partly came about because of having really positive experiences writing movies.

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