Explore Quotes on Ideas

Keep an idea log where you write everything down, even the bad ideas.

I like sweet wines. My idea has always been that when you're young, you like sweet wines; and then you get sophisticated, and you drink dry white; and then you get knowledgeable, and you drink heavy reds; and then you get old, and you drink sweet again.

The germ of an idea doesn't make the sculpture that stands up... so the next stage is hard work

There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses.

The wilderness and the idea of wilderness is one of the permanent homes of the human spirit.

The idea that it is funny to see wild animals coerced into acting like clumsy humans, or thrilling to see powerful beasts reduced to cringing cowards by a whip-cracking trainer, is primitive and medieval. It stems from the old idea that we are superior to other species and have the right to hold dominion over them.

The idea of regularly acknowledging our indebtedness to the natural world and giving thanks for the many gifts we receive from it, or considering other species to be our close "relations" which many indigenous peoples still do, couldn't be more alien to most of us.

We do not make photographs with our cameras. We make them with our minds, with our hearts, with our ideas.

I watch my daughter wanting to be like other kids and getting upset that she's not. But I always try and instill in her the idea that she's perfect as she is.

I do not like the idea of happiness - it is too momentary - I would say that I was always busy and interested in something - interest has more meaning to me than the idea of happiness.

When you don't know what to play, wait for an idea to come into your opponent's mind. You may be sure that idea will be wrong

Could we look into the head of a Chess player, we should see there a whole world of feelings, images, ideas, emotion and passion

Whenever a single definite object is made the supreme end of the State, be it the advantage of a class, the safety of the power of the country, the greatest happiness of the greatest number, or the support of any speculative idea, the State becomes for the time inevitably absolute. Liberty alone demands for its realization the limitation of the public authority, for liberty is the only object which benefits all alike, and provokes no sincere opposition.

When the novice photographer starts taking pictures, he carries his camera about and shoots everything that interests him. There comes a time when he must crystallize his ideas and set off in an particular direction. He must learn that shooting for the sake of shooting is dull and unprofitable.

If you are not passionately devoted to an idea, you can make very pleasant pictures but they won't make you cry.

Producing a photographic document involves preparation in excess. There is first the examination of the idea of the project. Then the visits to the scene, the casual conversations, and more formal interviews - talking, and listening, and looking, looking. ... And finally, the pictures themselves, each one planned, talked, taken and examined in terms of the whole.

Iain Dowie famously coined the phrase 'bouncebackability' to describe Crystal Palace's ability to come from behind. But this is a typical manager's idea, so optimistic. What fans are interested in is 'throwawayability': which teams toss away hard-earned leads? Now we know that 'throwawayability' exists because we proved last season that 'bouncebackability' exists (although, hilariously, Palace don't have it) and 'throw-awayability' is the flip side of it.

A camera has interesting ideas of its own.

This idea fascinates me. The idea that a few seconds of watching a photographer in action can tell you his/her status in the medium. And it's true. If you watch a photographer of merit working an event he/she does not look like an amateur.

The two ideas are antithetical. Insofar as photography is (or should be) about the world, the photographer counts for little, but insofar as it is the instrument of intrepid, questioning subjectivity, the photographer is all.

I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.