Every human being has hundreds of separate people living under his skin. The talent of a writer is his ability to give them their separate names, identities, personalities and have them relate to other characters living with him.
Mel BrooksRead
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Every human being has hundreds of separate people living under his skin. The talent of a writer is his ability to give them their separate names, identities, personalities and have them relate to other characters living with him.
You know, one of the ways we adapted to not being free was to think that our group identity was again, the way we were being black, and being down with the cards. That was the way we were going to get it. Unity was everything.
When we create the right kind of identity, we can say things to the world around us that they don't actually believe makes sense. We can get them to do things that they don't think they can do.
I know that when I attached my sense of identity a little too closely to my work that I might be distracting myself from feelings of unworthiness. It wasn't the number of hours I worked or how bloodshot my eyes were that defined the difference. It was something internal.
All women, and men of color - we were owned like tables and chairs. We spent a hundred years getting a legal identity as human beings. That's a big thing.
The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside.
Teaching the history of the British Empire links in with that of the world: for better and for worse, the Empire made us what we are, forming our national identity. A country that does not understand its own history is unlikely to respect that of others.
Spirituality is not about what you know. It is about growing, deepening, evolving and becoming a living reflection of your spiritual identity.
Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.
The lover's fatal identity is precisely this: I am the one who waits.
So, if you don’t fit in, if you feel at odds with the world, if your identity is troubled and frayed, if you feel lost and ashamed - it could be because you have retained the human values you were supposed to have discarded. You are a deviant. Be proud.
Do you believe you can know yourselves if you don't somehow con- struct yourselves? Or that I can know you if I don't construct you in my way? And can you know me if I don't construct you in my way? We can know only what we succeed in giving form to.
To forge an untouchable, invulnerable identity is actually a sign of retreat from this world; of weakness, a sign of fear rather than strength, and betrays a strange misunderstandin g of an abiding, foundational and necessary reality: that untouched, we disappear.
Human beings do metamorphose. They change their identity constantly. However, each new identity thrives on the delusion that it was always in possession of the body it has just conquered.
I am a collection of dismantled almosts.
Food is not just fuel. Food is about family, food is about community, food is about identity. And we nourish all those things when we eat well.
For some of us, books are intrinsic to our sense of personal identity.
Food is also about pleasure, about community, about family and spirituality, about our relationship to the natural world, and about expressing our identity. As long as humans have been taking meals together, eating has been as much about culture as it has been about biology.
To practice virtue is to selflessly offer assistance to others, giving without limitation one's time, abilities, and possessions in service, whenever and wherever needed, without prejudice concerning the identity of those in need.
When you are fully present with everyone you meet, you relinquish the conceptual identity you made for them - your interpretation of who they are and what they did in the past - and are able to interact without the egoic movements of desire and fear. Attention, which is alert stillness, is the key.
Well, I think that part of being young is not exactly knowing why you do some of the things that you do. And it's by exploring your life or experimenting or making mistakes and learning from them hopefully that you start to forge an identity.
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