It's wonderful to play a villain who gets a laugh or to stop a comedy dead in its tracks with a touching moment. It's kind of like a symphony that has very different movements.
John LithgowRead
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It's wonderful to play a villain who gets a laugh or to stop a comedy dead in its tracks with a touching moment. It's kind of like a symphony that has very different movements.
I've seen racism in my audiences. For example, I've seen people laugh at every other group, but then clam up when it comes to their community. You can't laugh at everyone else and then not laugh at yourself. You shouldn't be at my show if you can't laugh at yourself.
I'm happy about working; I'm happy about gracing the stage and coming out and making people laugh. I never treat it like a job or feel that way. It's the best thing ever to me, and I feel like a kid in a candy store.
You'd better get your laugh while you're making your point, or you won't be doing it very long.
There was a lot about the military that I thought was pretty silly, but these cartoons weren't meant to take a poke at anybody or anything. They were meant to make people laugh.
I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy. Making people laugh one moment and the next making them feel really uncomfortable.
There are lots of similarities between being a writer and a lawyer: to tell a story to a jury, hold their attention, make them laugh, make them like you. But what makes being a barrister less satisfying than being a writer is, finally, that it's about what someone else wants you to say.
When the green woods laugh with the voice of joy, And the dimpling stream runs laughing by; When the air does laugh with our merry wit, And the green hill laughs with the noise of it.
The key to coaching is love. It's not knowledge; it's not discipline. If you love 'em, you can discipline them. If you love 'em, you can yell at them and laugh about it later.
At every premiere, I stand in the back, I never sit, worrying. And then maybe I hear them laugh or whatever, and the muscles unclench a little. But always, I feel like it's a fluke, that I'll never be able to do it again.
Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill - but also learned when a crowd's laughter is meaningful.
The tears of the world are a constant quality. For each one who begins to weep, somewhere else another stops. The same is true of the laugh.
The myth of my solitude makes me laugh.
I was kind of shy as a lad, and a lot of things that made me laugh, I found, did not make other people laugh.
I've been doing comedy since I was two. You know, kids who make other kids laugh. The sickness had set in! I could make my friends' parents laugh; I had a sense of what was silly and funny.
I write funny. If I can make my wife laugh, I know I'm on the right track.
The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, 'Hey, check out my zit!' - you know, making fun of yourself before someone else has a chance to.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
I'm not here to affect you politically or socially. I'm here to make you laugh. I use the news as the palette for my jokes.
A laugh, if purchased at the expense of propriety, costs too much.
You're trying your best to make people laugh; then if you fail, they hate you. But your intent's the same. It's not like you're trying to do evil to them.
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