My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
At every premiere, I stand in the back, I never sit, worrying. And then maybe I hear them laugh or whatever, and the muscles unclench a little. But always, I feel like it's a fluke, that I'll never be able to do it again.
Interpretation
The quote expresses an artist's anxiety and fear of failure despite experiencing moments of success.
In this quote, filmmaker Sydney Pollack reveals a common struggle faced by artists: the fear of not being able to replicate past successes. Even when receiving positive feedback, such as laughter from an audience, there is an underlying tension and self-doubt that lingers, suggesting that the thrill of accomplishment may feel temporary and undeserved.
In practice
Using this quote in a discussion about the pressures artists face in the creative industry.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
Savages and modern artists are alike strangely driven to create something uglier than themselves. but the artists find it harder.
Mediocre writers borrow; great writers steal.
It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
A folk song is what's wrong and how to fix it or it could be _x000D_ who's hungry and where their mouth is or _x000D_ who's out of work and where the job is or _x000D_ who's broke and where the money is or _x000D_ who's carrying a gun and where the peace is.
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