Mere longevity is a good thing for those who watch Life from the side lines. For those who play the game, an hour may be a year, a single day's work an achievement for eternity.
Helen HayesRead
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Mere longevity is a good thing for those who watch Life from the side lines. For those who play the game, an hour may be a year, a single day's work an achievement for eternity.
Arrogant, I think I have written lines which qualify me to be The Poetess of America (as Ted will be The Poet of England and her dominions).
There is not a single line in this diary that does not call for a correction or a denial...Yes: throughout these pages I meant what I was writing and I meant the opposite; reading them again I feel completely lost...I was lying to myself. How I lied to myself!
Statistics show that a soldier's chances of survival in the front lines of combat are greater than the chances of an unborn child avoiding abortion. What should be the safest place to live in America - a mother's womb - is now the most dangerous place.
When I was a child, my father used to take me for walks, often along a river or by the sea. We would pass people fishing, perhaps reeling in their lines with struggling fish hooked at the end of them. Once I saw a man take a small fish out of a bucket and impale it, still wriggling, on an empty hook to use as bait.
I am big. It's the pictures that got small.
Reading fiction is important. It is a vital means of imagining a life other than our own, which in turn makes us more empathetic beings. Following complex story lines stretches our brains beyond the 140 characters of sound-bite thinking, and staying within the world of a novel gives us the ability to be quiet and alone, two skills that are disappearing faster than the polar icecaps.
I have seen war. I have seen war on land and sea. I have seen blood running from the wounded. I have seen men coughing out their gassed lungs. I have seen the dead in the mud. I have seen cities destroyed. I have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. I have seen children starving. I have seen the agony of mothers and wives. I hate war.
A CEO's behavior has a huge impact on managers down the line.
Twenty-first century war adds new risks: more and more often there are no front lines, no central command, no rules of engagement - only a chaotic collision of politics, power, faith and bloodlust. Victims are as likely to be civilians as soldiers.
I was always aware of what the language I was using meant in terms of my bond with my parents - how it defined the lines of affection between us. When I spoke English, I felt I wasn't completely their child any more but the child of another language.
Possibly everyone will travel by air in another fifty years. I'm not sure I like the idea of millions of planes flying around overhead. I love the sky's unbroken solitude. I don't like to think of it cluttered up by aircraft, as roads are cluttered up by cars. I feel like the western pioneer when he saw barbed-wire fence lines encroaching on his open plains. The success of his venture brought the end of the life he loved.
A writer is a palmist, reading the lines of the planet.
You may write me down in history with your bitter, twisted lines. You may trod me in the very dirt, but still, like dust, I'll rise.
We'll never understand this country as long as book banning, tip lines and legislation to bubble-wrap the tender White souls among us continue to flourish.
What makes a poem is the discipline inherent in making a poem: trying to fit feelings in the requisite number of syllables and lines, disciplining one's feelings.
The latitude and longitudinal lines of where you are born determine your opportunity in life, and it's not equal. We may have been created equal, but we're not born equal. It's a lot to do with luck and you have to pass that on.
It's not a matter of learning lines. It's a matter of getting into the ideas and the will of the person. It's a matter of, 'What does he want to do? What does he want to achieve?'
The basis for my own work during the years just before coming to America in 1915 was a desire to break up forms - to 'decompose' them much along the lines the cubists had done. But I wanted to go further - much further - in fact, in quite another direction altogether.
There are still forces in America that want to divide us along racial lines, religious lines, sex, class. But we've come too far; we've made too much progress to stop or to pull back. We must go forward. And I believe we will get there.
I sometimes think that what I do as a writer is make a kind of colouring book, where all the lines are there, and then you put in the colour.
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