If you have embraced a creed which appears to be free from the ordinary dirtiness of politics - a creed from which you yourself cannot expect to draw any material advantage - surely that proves that you are in the right?
George OrwellRead
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If you have embraced a creed which appears to be free from the ordinary dirtiness of politics - a creed from which you yourself cannot expect to draw any material advantage - surely that proves that you are in the right?
We face a conflict between civilisation and culture, which used to be on the same side. Civilisation means rational reflection, material wellbeing, individual autonomy and ironic self-doubt; culture means a form of life that is customary, collective, passionate, spontaneous, unreflective and arational.
...Individualistic material progress and the desire to gain prestige by coming out on top have taken over from the sense of fellowship, compassion and community. Now people live more or less on their own in a small house, jealously guarding their goods and planning to acquire more, with a notice on the gate that says, 'Beware of the Dog.
It is difficult to make our material condition better by the best law, but it is easy enough to ruin it by bad laws.
It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.
Wilderness is the raw material out of which man has hammered the artifact called civilization. Wilderness was never a homogenous raw material. It was very diverse. The differences in the product are known as cultures. The rich diversity of the worlds cultures reflects a corresponding diversity. In the wilds that gave them birth.
Beauty without wit offers nothing but the enjoyment of its material charms, whilst witty ugliness captivates by the charms of the mind, and at last fulfils all the desires of the man it has captivated.
I will say only that all a writer has to work with is the material he has gathered as the result of his own endeavor and observations, and he cannot be denied the right to use it. Condemn, but not deny.
Perhaps middle-age is, or should be, a period of shedding shells; the shell of ambition, the shell of material accumulations and possessions, the shell of the ego.
Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
Every generation has the right to build its own world out of the materials of the past, cemented by the hopes of the future.
All you're trying to do in an improvisation is get as much material as possible for the editing room.
You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.
Art is a refining and evocative translation of the materials of the world.
Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own Earth. It is at least the geometric pattern of things, of life, of the human and social world. It is at best that magic framework of reality that we sometimes touch upon when we use the word order.
Possession of material riches, without inner peace, is like dying of thirst while bathing in a lake. If material poverty is to be avoided, spiritual poverty is to be abhorred. For it is spiritual poverty, not material lack, that lies at the core of all human suffering.
In a very real way, the poor are our teachers. They show us that people’s value is not measured by their possessions or how much money they have in the bank. A poor person, a person lacking material possessions, always maintains his or her dignity. The poor can teach us much about humility and trust in God.
Like too much alcohol,self-consciousness makes us see ourselves double, and we make the double image for two selves - mental and material, controlling and controlled, reflective and spontaneous. Thus instead of suffering we suffer about suffering, and suffer about suffering about suffering.
Please, no matter how we advance technologically, please don't abandon the book. There is nothing in our material world more beautiful than the book.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.
One of the outstanding tragedies of this age of struggle and money-madness is the fact that so few people are engaged in the effort which they like best. Everyone should find his or her particular niche in the world's work, where both material prosperity and happiness in abundance may be found.
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