Quotes on Melody

It's like picking up an unfamiliar piece of sheet music & starting to stumble through it, only to realize it is a melody you'd once learned by heart, one you can play without even trying.

If thou speakest not I will fill my heart with thy silence and endure it. I will keep still and wait like the night with starry vigil and its head bent low with patience. The morning will surely come, the darkness will vanish, and thy voice pour down in golden streams breaking through the sky. Then thy words will take wing in songs from every one of my birds' nests, and thy melodies will break forth in flowers in all my forest groves.

Behind the violence of the birthing of galaxies and stars and planets came a quiet and tender melody, a gentle love song. All the raging of creation, the continuing hydrogen explosions on the countless suns, the heaving of planetary bodies, all was enfolded in a patient, waiting love.

Now they are a circle, and they vibrate together, they pulsate together. Their hearts are no longer separate, their beats are no longer separate, they have become a melody, a harmony. It is the greatest music possible, all other musics are just faint things compared to it, shadow things compared to it.

Home should be an oratorio of the memory, singing to all our after life melodies and harmonies of old-remembered joy.

I shall take my voice wherever there are those who want to hear the melody of freedom

I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty.

There is something about the melody of 'Thunder Road' that just suggests 'new day.' It suggests morning; it suggests something opening up.

Folk melodies are the embodiment of an artistic perfection of the highest order; in fact, they are models of the way in which a musical idea can be expressed with utmost perfection in terms of brevity of form and simplicity of means.

The world is never quiet, even its silence eternally resounds with the same notes, in vibrations which escape our ears. As for those that we perceive, they carry sounds to us, occasionally a chord, never a melody.

It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.

When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.

Some may find them merely diverting melodies. Others may find them incitements to Red revolution. And who will say if either or both is wrong? Not I.

Beloved, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with metry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee.

In old age our bodies are worn-out instruments, on which the soul tries in vain to play the melodies of youth. But because the instrument has lost its strings, or is out of tune, it does not follow that the musician has lost his skill.

Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.

I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.

When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come.

Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.

The song is ended, but the melody lingers on.

So I write melodies - thirty, forty, fifty - then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide.