As I have said before, the daily machinations of the stock market are like a tale told by an idiot, full of sound and fury, signifying nothing.
John C. BogleRead
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As I have said before, the daily machinations of the stock market are like a tale told by an idiot, full of sound and fury, signifying nothing.
There was a failure to recognize the deep problems in AI; for instance, those captured in Blocks World. The people building physical robots learned nothing.
There's nothing in Keynesian economics that would allow you to solve stagflation. But there's nothing in neoclassical economics that would allow you to solve stagflation, either.
I don't have no story. Everybody wants this Hollywood story, but the world don't owe you nothing, man. It's what you owe the world.
Me being deaf isn't the problem. There is nothing wrong with being deaf; it's society that is the problem.
I'm a very introverted person. Nothing that's happened has changed that, but one of the reasons I write for teens is it's a real privilege to have a seat at the table in the lives of young people when they're figuring out what matters to them.
Modern women are just bombarded. There's nothing but media telling us we're all supposed to be great cooks, have great style, be great in bed, be the best mothers, speak seven languages, and be able to understand derivatives. And we don't really have women we're modeling after, so we're all looking for how to do this.
There can be nothing more humiliating for a writer of fiction to have to do than restate a case that has already been made.
Nothing has prepared sharks, squid, krill and other sea creatures for industrial-scale extraction that destroys entire ecosystems while targeting a few species.
The existing legal constitution is nothing but the product of a revolution. Revolution is the act of political creation in the history of classes, while constitutional legislation is the expression of the continual political vegetation of a society.
I stand before you as a writer without any ground of being out of which to write: really blown about from country to country, culture to culture till I feel - till I am - nothing. As it happens, I like it that way.
Ideas are nothing. They're irrelevant. If you think your idea is so important, you're doomed. The reality is if you don't like one idea, I've got 299 more. If I tell you my idea, and you can execute better against that idea than I can - great; I get to play a terrific game.
It's not very fashionable, but I love life, and I believe that things disappear and reappear and nothing ever solidifies, no matter how middle-class, housebroken, staid, and solitary someone's life seems to be. That, I think, is what I'm writing about.
According to 'M' theory, ours is not the only universe. Instead, 'M' theory predicts that a great many universes were created out of nothing.
People can talk about my age for as long as they like. There is nothing better in football than proving people wrong, and I'll try to do that for as long as I can.
The problem with data is that it says a lot, but it also says nothing. 'Big data' is terrific, but it's usually thin. To understand why something is happening, we have to engage in both forensics and guess work.
If you don't wake up and have your own thing, whether it's writing or reading or traveling or acting or dancing or singing or being a mother or a father, something that drives you, then it's all worth nothing. One of the key elements in happiness is purpose.
When you write about sports, you're allowed to engage in mischief. Nothing is at stake.
Perfect is not on the menu. Nobody is going to be your ideal candidate. You can't dream somebody up out of nothing that's going to be the perfect candidate, so you do have to pick between a series of bad choices.
Don't be a writer; it's a terrible way to live your life. There's nothing to be gained from it but poverty and obscurity and solitude. So if you have a taste for all those things, which means that you really are burning to do it, then go ahead and do it. But don't expect anything from anybody.
After the last line of a poem, nothing follows except literary criticism.
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