Quotes on Quite

Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject.

I loathe my name because it is mine and also because it is not mine; it is at once too intimate and seems to have no connection with me. Perhaps because the name is quite common, it never seems to fit me, or fit me alone. Nevertheless, when I see the name, I always feel a peculiar sense of shame.

I can safely say that losing my mum at the age of 12 and therefore shutting down all of my emotions for the last 20 years has had a quite serious effect on not only my personal life but also my work as well.

The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.

The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.

It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.

There's always a sense that people will do things quite differently if they think they have privacy.

For many centuries, even thousands of years, patriotism worked quite well. Of course, it led to wars an so forth, but we shouldn't focus too much on the bad.

There's a long history of people who spent that $300,000 on their first film and weren't quite ready, and then they never did it again 'cause they were out of synch with where they were, and they would never raise that money again.

Fudging the data in any way whatsoever is quite literally a sin against the holy ghost of science. I'm not religious, but I put it that way because I feel so strongly. It's the one thing you do not ever do. You've got to have standards.

You'll see that the strong, the affirmative, the positive voice in any of the plays I've written is that of a woman. My men are, well, not quite worthless, but they are certainly weak, and that reflects the reality I grew up with and what I think has in a sense shaped me.

It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.

Man is not a machine that can be remodelled for quite other purposes as occasion demands, in the hope that it will go on functioning as regularly as before but in a quite different way. He carries his whole history with him; in his very structure is written the history of mankind.

My interest in science started quite early. My earliest school recollection, from age 6, is actually of mathematics, realizing that one could fill an entire page with digits and never come to the largest possible number, so I saw what was meant by infinity.

A subject which at first glance seems quite removed from the undeclared concern of the book can encapsulate that concern.

The average is that which no person quite ever is.

My mother, she didn't believe in praise. She'd never say anything was great. I think that's quite Northern, to not make people feel too good. I didn't mind if she was proud of me or not, it didn't bother me. I was never trying to please her.

As we get older, we tend to grow quite fond of the planets of belief we have constructed for ourselves. We build elaborate defense mechanisms to ward off attacks from competing ideas or new data. The system makes us comfortable but resistant to change, no matter how much change might be called for.

We have to overcome the practice of male domination - even though it's changing, and changing in Liberia quite drastically.

Even families with health insurance are quite vulnerable to a severe economic reversal if someone gets sick.

It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.