Quotes on Record

As I started to consider a career in music, I hoped for success, truthfully. I didn't imagine anything that would amass the level of the first record, but I hoped that I would be able to sustain a career.

When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.

I want a president with a record of public service, someone whose life's work shows our children that we don't chase fame and fortune for ourselves: we fight to give everyone a chance to succeed.

Once you've acquired a criminal record, you can be discriminated against legally in employment, housing, and access to education and public benefits. You're relegated to a permanent second-class status, forever a 'criminal.' Inflicting this amount of unnecessary pain and suffering is not cheap.

The thought of someone spending $20 to come and see me and saying, 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.

There is not an example on record of any free state holding a province of the same extent and population without disastrous consequences. The nations conquered and held as a province have, in time, retaliated by destroying the liberty of their conquerors through the corrupting effect of extended patronage and irresponsible power.

The other reason that I am here today, again from the State Department and from the court record of the court of appeals, is that when I am abroad I speak out against the injustices against the Negro people of this land.

I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.

Music is the one part of the entertainment business where you can't fool anybody into buying a record.

Within the U.N. itself, I have appointed a record number of women to high-level positions. I did not fill jobs with women just for the sake of it - I looked for the best possible candidate, and I found that if you strip away discrimination, the best possible candidate is often a woman.

No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.

Neoliberalism has left Britain's boss classes drunk on triumphalism, paying themselves record salaries and bonuses while their workers are imprisoned by poverty and insecurity. It was never going to last.

When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.

Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.

I am extremely proud and honoured to have beaten Pete's record as he was my childhood hero and I have always looked up to him.

The nuclear industry has this amazing record, even equipment from generations one and two. But nuclear mishaps tend to come in these big events - Chernobyl, Three Mile Island, and now Fukushima - so it's more visible.

It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.

The actual making of a record is the most exciting part of this business.

There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.

I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.

The history of the world - by which, of course, we mean Europe - is a record of intertribal lacerations, of ethnic cleansings.