I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
Interpretation
Creating a great record relies on the skill of the person behind the controls, not just the equipment used.
Dr. Dre emphasizes the importance of talent and skill in the music production process. While having high-quality equipment is important, the true art of making a successful record comes from the knowledge, experience, and creativity of the producer, highlighting that the individual plays a pivotal role in the sound and quality of the final product.
In practice
This quote can be shared at a music production workshop to inspire aspiring producers.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.
For his heart was in his work, and the heart giveth grace unto every art.
But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
I'm always terrified when I'm writing.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
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