Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Susan SontagRead
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Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
I repeat Sturgeon's Revelation, which was wrung out of me after twenty years of wearying defense of science fiction against attacks of people who used the worst examples of the field for ammunition, and whose conclusion was that ninety percent of it is crud.
I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.
I began reading science fiction before I was 12 and started writing science fiction around the same time.
A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
For me science fiction is a way of thinking, a way of logic that bypasses a lot of nonsense. It allows people to look directly at important subjects.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
The most watched programme on the BBC, after the news, is probably 'Doctor Who.' What has happened is that science fiction has been subsumed into modern literature. There are grandparents out there who speak Klingon, who are quite capable of holding down a job. No one would think twice now about a parallel universe.
Growing up, I never gave a thought to being a writer. All I ever wanted to be was a traveler and explorer. Science-fiction allowed me to go places that were otherwise inaccessible, which is why I started reading it.
Fantasy is the impossible made probable. Science Fiction is the improbable made possible.
Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called other, which is simply another universe, another planet, another species.
Science fiction is very well suited to asking philosophical questions; questions about the nature of reality, what it means to be human, how do we know the things that we think we know.
Part of the particular interest and beauty of science fiction and fantasy: writer and reader collaborate in world-making.
Twenty-five years ago people could be excused for not knowing much, or doing much, about climate change. Today we have no excuse. No more can it be dismissed as science fiction; we are already feeling the effects.
In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer. [dedication to Isaac Asimov from Arthur C. Clarke in his book Report on Planet Three]
If poets are the unacknowledged legislators of the world, science fiction writers are its court jesters. We are Wise Fools who can leap, caper, utter prophecies, and scratch ourselves in public. We can play with Big Ideas because the garish motley of our pulp origins make us seem harmless.
Space or science fiction has become a dialect for our time.
I've seen things you people wouldn't believe.
A good science fiction story is a story with a human problem, and a human solution, which would not have happened at all without its science content.
Time travel used to be thought of as just science fiction, but Einstein's general theory of relativity allows for the possibility that we could warp space-time so much that you could go off in a rocket and return before you set out.
America is a nation of liars, and for that reason science fiction has a special claim to be our national literature, as the art form best adapted to telling the lies we like to hear and to pretend we believe.
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