If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
Samuel FullerRead
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If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.'
Here's my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition. No one else is capable of doing what you do.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
Don't keep a man guessing too long - he's sure to find the answer somewhere else.
When men abandon reason, physical force becomes their only means of dealing with one another and of settling disagreements.
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.
The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours
If you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.
You have to leave the city of your comfort and go into the wilderness of your intuition. What you'll discover will be wonderful. What you'll discover is yourself.
Tragedy is a close-up; comedy, a long shot.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?"
The world needs you. It doesn't need you at a party having read a book about how to appear smart at parties - these books exist, and they're tempting - but resist falling into that trap. The world needs you at the party starting real conversations, saying, 'I don't know,' and being kind.
Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.
There’s a lot for screenwriters to steal from songwriters, in terms of getting to the point.
A Message to Children Who Have Read This Book - When you grow up and have children of your own, do please remember something important: a stodgy parent is no fun at all. What a child wants and deserves is a parent who is SPARKY.
The strength of a civilization is not measured by its ability to fight wars, but rather by its ability to prevent them.
America's founding Ideal was the principle of individual rights. Nothing more - and nothing less.
The best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
He'd discovered that his memories of that summer were like bad movie montages - young lovers tossing a Frisbee in the park, sharing a melting ice-cream cone, bicycling along the river, laughing, talking, kissing, a sappy score drowning out the dialogue because the screenwriter had no idea what these two people might say to each other.
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