You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.
Stephen HillenburgRead
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You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.
I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
All of comedy at some level is trial-and-error, whether it's a stand-up trying out jokes or a comedy show trying stories.
I love the entire ritual of getting dressed. When we do a fashion show, we try to send out a message; we couldn't do that without the hair and makeup. The whole is equal to the sum of its parts.
The writers' room is an open forum where anything mad or weird that aggressively shakes up the show can be suggested and considered.
I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
I'm literally driving in the middle of the night, and my phone rings, and my manager says, 'How would you like to be the host of the Daily Show?' I get out the car, and I didn't have legs. You know in those movies where there's an explosion? But instead of the sound of the explosion, you hear the silence. That's literally what happened.
I don't think it's fair to 12-, 13- and 14-year-olds to say 'Show us you're a winner right now!' Winning isn't everything. I'll never buy that thing that if a boy loses a football game, he's a loser in life.
No one's of Pakistani origin in any British show. That's why every actor of color is here working in the States. It's true.
Can you do inter-gender matches? Ronda Rousey and our match at Wrestlemania - sure, it can be done. Women don't need a man in their match to steal the show. They just need an equal platform and opportunity, and if the women have it, they will work just as hard, if not harder, than anybody else to steal that show.
You don't make a movie by yourself; you certainly don't make a TV show by yourself. You invest people in their work. You make people feel comfortable in their jobs; you keep people talking.
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
I like being boring to a certain extent. I don't have to be flashy. I get to put all of that into a show, and when it's over, I don't have to be that.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
I was at the first Minor Threat show, and you could tell, 'This band is going to be the king of the town.' It was obvious. They were so good.
When I got to 'The Daily Show,' they asked me to have a political opinion. It turned out that I had one, but I didn't realize quite how liberal I was until I was asked to make passionate comedic choices as opposed to necessarily successful comedic choices.
When you make a TV show, they always say you're a guest in someone's home. Online, you're a guest in someone's face. So that's why I try to make it sound and look and feel very inviting and attractive, because I know that I'm in your face.
There are two kinds of designers: ones who are very happy locked in their office surrounded by their coterie. The last thing they need to do is to go to a trunk show; they'd go running for the hills. I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
Government can run and fund programs, but it can't love, it can't show compassion, and it can't embrace. Our faith is designed to have social implications, not just heavenly ones. The spiritual and the social must be connected.
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