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I had done about 60 television shows, from 'Ed Sullivan' to 'The Hollywood Palace,' before I ever went to 'Johnny Carson.' At the time, that was the showcase for comics. And I couldn't believe it.

Look at the shows that are really successful on Broadway. They're musicals. They're things that a woman will pick out the tickets for, or a man will buy the tickets with a woman in mind. It's a date. It's boyfriend-girlfriend, husband-wife. That's what the theater in New York has become.

There are shows that are monolithic successes on TV that nobody in the business ever watches one episode of.

Usually, comedy shows only influence other comedy shows. 'M*A*S*H' is one of the few comedies that influenced dramatic shows as well.

If you look at shows like 'Def Comedy Jam' in its heyday, there were so many really funny, talented black comics that never would have gotten on that show because they just weren't doing comedy that fit that mold.

In the second half of primary school, I liked live-action shows and giant-monster movies, and then in junior high, I got into regular movies.

I believe there is lot of untapped potential in the television market. With shows such as 'Bigg Boss' and '24' turning out to big hits on TV, I'm interested to be in it.

More and more, you're seeing television shows that are better than 99% of the movies out there. I mean, you watch something like the last couple of seasons of 'The Sopranos,' which is some of the most sophisticated writing I've ever seen filmed and some of the best filmmaking I've ever seen - and it's a TV show.

A lot of people get emotional in movies that are cartoons, but not in TV shows.

If you start out trying to achieve a specific thing - like doing stadium shows or going into the studio and doing an album - the end result is what counts.

News channels have always had interview shows, but we need different kinds of interviews with different kinds of interviewers - interviewers who bring different life experiences to the table.

History shows that attacks on general freedoms often begin with an attack on the freedom of a minority. It teaches us that we should never allow a government to divide and rule. An attack on one is an attack on all.

I've always tried to do shows in a filmic way. I like it when forms smack up against each other.

We're performing several shows in the Canary Islands.

Shows like 'Top Chef,' 'Hell's Kitchen' have helped bring attention to the culinary world on a whole, but you have to be cautious it doesn't get out of hand.

That was always my frustration with so many of these shows, because design is not an ambush... it's a relationship. You have to know how people move and live and work to be able to design for them.

I was tired of writing for shows where there was always a shoot-out in the last act and somebody was killed. 'Star Trek' was formulated to change that.

I watch the comedy shows like 'Married With Children,' 'Friends,' 'Family Guy,' and 'Everybody Loves Raymond.'

When we came to America before, we opened shows in arenas for groups like Rush. It's always been a case of playing for 45 minutes for someone else's audience.

I'm not allowed to do shows for other channels till 'Saraswati Chandra' is on air, but I'm happy because Star is providing good opportunities to host reality shows like 'Nach Baliye.'

Both 'Saraswatichandra' and 'Mahakumbh' are extremely close to my heart. The shows are polar opposites and so are the characters but I have loved being a part of both of them.

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