Music is spiritual. The music business is not.
Van MorrisonRead
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Music is spiritual. The music business is not.
My second husband and I were going through a bitter divorce, and I didn't have the money for a fancy-pants attorney. I didn't know how to fight, so I'd lie awake at night and think of ways to kill him. But I knew I'd get caught, so I decided to put it in a book and get paid for it! I always think it's odd that a whole career came out of that homicidal impulse.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
All I know is when I start getting serious about songwriting... it's like a playground. All responsibilities slip away and you're with your essence. There can be delight there and self-discovery. You can dance there... I think of it as my serious playground.
I'm a songwriter first...In my career I have never felt that my being a woman was an obstacle or an advantage. I guess I've been oblivious...Sensitive, humbug. Everybody thinks I'm sensitive...There is a downside to having one of the biggest-selling albums ever.
Music is the purest form of art... therefore true poets...seek to express the universe in terms of music. The singer has everything within him. The notes come out from his very life. They are not materials gathered from outside.
My sole inspiration is a telephone call from a director. ... (when asked who wrote 'Some Enchanted Evening') Rodgers and Hammerstein, if you can imagine it taking two men to write one song. ... Good authors, too, who once knew better words now use only four-letter words writing prose. ... Brush up your Shakespeare and they'll all kowtow.
There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.
Somebody said to me, 'But the Beatles were anti-materialistic.' That's a huge myth. John and I literally used to sit down and say, 'Now, let's write a swimming pool.'
Often I don't know what the song means until it's finished. Sometimes months later. I don't think that's bad. It implies that I don't know what I'm doing but-I think if you're able to follow your instincts, then that's knowing what you're doing.
Music can lift us out of depression or move us to tears - it is a remedy, a tonic, orange juice for the ear.
You know, I would say that songwriting is something about the expression of the heart, the intellect and the soul.
You're never quite sure where the song is going, because you might not find the word to rhyme with the end of the line. You have to find associative meaning to get you there. So it's rather like doing a crossword puzzle backwards. A kind of strange, three-dimensional, abstract crossword puzzle.
It's the damage that we do and never know. It's the words that we don't say that scare me so.
Twenty-seven people sang 'Wind Beneath My Wings' before I got around to it. A lot of people saw the movie that I sang it in, Beaches, and what they came away with was that song. They turned to their loved ones and said, 'You know, you are the wind beneath my wings!' The song expressed how they felt in a way a simple 'I love you' would not have.
But the only rhyme he could summon for 'out' was 'sauerkraut,' which lacked poetic glory. He let it go. The right line would come in time. That was the thing about poetry. It crept up through the draws and coulees of the brain.
We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.
As a teenager I started painting and playing guitar...Music has been my playmate, my lover, and my crying towel...This song ("Until It's Time for You To Go") popped into my head while I was falling in love with someone I knew couldn't stay with me. The words are about honesty and freedom inside the heart.
It turned out so well because it was the first album that I could identify with in terms of lyrics. ("Captain Fantastic") It was passionate...I could associate myself with every song...It's a unique album in our history. This was the story of us..."Curtains", the lyrics to that are so beautiful because it sums up our friendship so much, and our relationship.
As I started writing about loss and grief, I was taking what felt unmanageable and using my songwriting, my sense of poetry and discipline, to try and make it manageable.
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