Both individuals and societies tell themselves stories to simplify and make sense of the messy chaos of reality.
Adam CurtisRead
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Both individuals and societies tell themselves stories to simplify and make sense of the messy chaos of reality.
The premise of the Taker story is 'the world belongs to man'. … The premise of the Leaver story is 'man belongs to the world'.
It's all a question of story. We are in trouble just now because we do not have a good story. We are in between stories. The old story, the account of how we fit into it, is no longer effective. Yet we have not learned the new story.
Be honest about what you see, get out of the way and let the story reveal itself
I'm a storyteller who wants to tell untold, meaningful, universal stories in unforgettable ways. I want to do it all, study it all, and find my place in it.
Give me a story that just makes me unreasonably vigilant. Keep me up till five only because all your stars are out, and for no other reason.
But to me, the most important page in my daughter's book is the last one - because it's blank. It says, "Your Hero's Photo Here," and, "Your Hero's Story Here."
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
Storytellers all, we humans might run out of time even as we triumph over the problem of running out of space. But we will never run out of stories.
We all hate moral ambiguity in some sense, and yet it is also absolutely necessary. In writing a story, it is the place where I begin.
This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes.
The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
The recollections of an older man are different from those of a younger man. What seemed vital at forty may lose its significance at seventy. We manufacture stories, after all, from the fleeting sensory material that bombards us at every instant, a fragmented series of pictures, conversations, odors, and the touch of things and people. We delete most of it to live with some semblance of order, and the reshuffling of memory goes on until we die.
I think people respond to dystopian stories because they're ways of acting out anxieties that we have and fears that we have about the future. So much media's coming at you over the Internet, your brain gets overloaded. You don't know what to do with it. And one thing you can do with it is read a story.
I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive.
Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
Sooner or later the Internet will become profitable. It's an old story played before by canals, railroads and automobiles.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.
After nourishment, shelter and companionship, stories are the thing we need most in the world.
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