At the end of the day, 'Rocky' is a love story, and he could never have reached the final bell without Adrian.
Sylvester StalloneRead
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At the end of the day, 'Rocky' is a love story, and he could never have reached the final bell without Adrian.
My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted.
If every event which occurred could be given a name, there would be no need for stories.
Reality - the way that is, exactly as it is, in every moment - is always kind. It's our story about reality that blurs our vision, obscures what's true, and leads us to believe that there is injustice in the world. I sometimes say that you move totally away from reality when you believe that there is a legitimate reason to suffer.
The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.
The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell.
Somehow, knowing that Alzheimer's is coming mocks all one's aspirations - to tell stories, to think through certain issues as only a novel can do, to be recognised for one's accomplishments and hard work - in a way that old familiar death does not.
I'm OK. Much better than on other occasions. It's true that I've made lots of mistakes but I've never tried to bother anyone. I want to stay alive, preferably in peace, without seeing every one of my mistakes in the papers, and on many occasions, even stories that are lies.
If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.
We can't live in a state of perpetual doubt, so we make up the best story possible and we live as if the story were true.
What happens is fact, not truth. Truth is what we think about what happens.
Science is the greatest of all adventure stories, one that's been unfolding for thousands of years as we have sought to understand ourselves and our surroundings.
Telling a true story about personal experience is not just a matter of being oneself, or even or finding oneself. It is also a matter of choosing oneself.
The material of literary talent is words; the material of story talent is life itself.
It does not seem to me that I have the right to foist a story on people, most of whom are children who should be learning all the time, unless I am learning from it too.
Your life is your story, and the adventure ahead of you is the journey to fulfill your own purpose and potential.
It would seem that the Watergate story from beginning to end could be used as a primer on the American political system.
When you step further into the story you came to live, not only does the mythic territory open, but the deep self moves and the world of imagination and meaning comes towards you.
People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
You can't work in the movies. Movies are all about lighting. Very few filmmakers will concentrate on the story. You get very little rehearsal time, so anything you do onscreen is a kind of speed painting.
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