Quotes on Stories

Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.

Finally, I wish to remember the millions of Allied servicemen and prisoners of war who lived the story of the Second World War. Many of these men never came home; many others returned bearing emotional and physical scars that would stay with them for the rest of their lives. I come away from this book with the deepest appreciation for what these men endured, and what they scarified, for the good of humanity. It is to them that this book {Unbroken} is dedicated.

There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.

I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.

Sing in me, Muse, and through me tell the story

I think it's important to leave spaces in a story for readers to fill in from their own experience.

When I returned home that day, I saw my life as if I already knew the happy ending of a story. I looked around the house and thought, soon I will no longer have to see these walls and all the unhappiness they keep inside.

Even such isTime, which takes in trust Our youth, our joys, and all we have, And pays us but with age and dust, Who in the dark and silent grave When we have wandered all our ways Shuts up the story of our days, And from which earth, and grave, and dust The Lord shall raise me up, I trust.

You and you alone are the only person that can live the life that writes the story that you were meant to tell. And the world needs your story because the world needs your voice.

The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.

Humans like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms—of life, of love, of knowledge—has traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath.

Say what you want about it, Hell is story-friendly... The mechanisms of hell are nicely attuned to the mechanisms of narrative. Not so the pleasures of Paradise. Paradise is not a story. It's about what happens when the stories are over.

I'll be a story in your head. But that's OK. We're all stories, in the end. Just make it a good one, eh? Because it was, you know; it was the best.

Whatever you perceive, you always make a story with yourself as the main character, and that dictates your life. Then when you read 'The Four Agreements', you hear another voice beneath the story, the voice that comes from your integrity, your spirit.

There is America, which at this day serves for little more than to amuse you with stories of savage men and uncouth manners, yet shall, before you taste of death, show itself equal to the whole of that commerce which now attracts the envy of the world.

It's important to tell queer stories and to show queer relationships in a very normal setting.

The challenge for those of us who care about our faith and about a hurting world is to tell stories which will carry the words of grace and hope in their bones and sinews and not wear them like fancy dress.

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.

That's the irony in the work: the best stories are the worst things that happen. My best times were somebody else's worst.

I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.

You are the untold story. You are the impassioned truth wanting to scream its existence, to be forever trapped by a strong hand clapped firmly over the mouth of my soul.