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The historical mission of our times is to re-invent the human—at the species level, with critical reflection, within the community of life-systems, in a time-developmental context, by means of story and shared dream experience.

The fact is that the same sequence of days can arrange themselves into a number of different stories.

When blame has been assigned, the story is over.

Try not to become disappointed if someone doesn't like a story you've written. Stick up for your ideas, but listen to what other people say, too. They might have good advice.

There's a story... a legend, about a bird that sings just once in its life. From the moment it leaves its nest, it searches for a thorn tree... and never rests until it's found one. And then it sings... more sweetly than any other creature on the face of the earth. And singing, it impales itself on the longest, sharpest thorn. But, as it dies, it rises above its own agony, to outsing the lark and the nightingale. The thorn bird pays its life for just one song, but the whole world stills to listen, and God in his heaven smiles.

It is prima facie highly implausible that life as we know it is the result of a sequence of physical accidents together with the mechanism of natural selection. We are supposed to abandon this naïve response, not in favor of a fully worked out physical/chemical explanation but in favor of an alternative that is really a schema for explanation, supported by some examples. What is lacking, to my knowledge, is a credible argument that the story has a nonnegligible probability of being true.

I was realizing, for the first time, that everything goes on, turns gray, is ruined in the living. That there is no end to our story until death comes and the body decays.

Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them.

It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy.

I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.

Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one’s end….Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past.

Purdom has created a major body of work. Thoughtful, humane, intelligent, extrapolative, involving, his stories are exactly the sort of thing our genre exists to make possible. If you don't like Tom Purdom, you don't like science fiction. Period.

Stephen Schlesinger’s Act of Creation tells a dazzling story of the dramatic events that have shaped the world in which we live. Never has a book been more relevant to present dangers and future hopes.

During a recent panel on the numerous failures of American journalism, I proposed that almost all stories about government should begin: “Look out! They're about to smack you around again!

I've heard that story about kids are high naturally, but I've seen kids that aren't high, kids who've had the high taken out of them.

I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.

I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.

George Lucas should have distributed the 'source code' to Star Wars. Millions of fans would create their own movies and stories. Most of them would be terrible, but a few would be genius.

The Polar Express was the easiest of my picture book manuscripts to write... Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up.

Writing a story is like going down a path in the woods. You follow the path. You don't worry about getting lost. You just go.

I have outlived that care that curries public favour or dreads the public frown…let the hand of law strike me down if it will, but I ask that my story be heard and considered.

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