Quotes on Stories

People take on the shapes of the songs and the stories that surround them, especially if they don't have their own song.

You can tell a true war story by the questions you ask. Somebody tells a story, let's say, and afterward you ask, 'Is it true?' and if the answer matters, you've got your answer . . . Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth.

If I could write a story that would do for the Indian one-hundredth part what 'Uncle Tom's Cabin' did for the Negro, I would be thankful the rest of my life.

We are lonesome animals. We spend all our life trying to be less lonesome. One of our ancient methods is to tell a story begging the listener to say — and to feel — "Yes, that’s the way it is, or at least that’s the way I feel it. You’re not as alone as you thought."

Will they reach the nursery in time? If so, how delightful for them, and we shall all breathe a sigh of relief, but there will be no story. On the other hand, if they are not in time, I solemnly promise that it will all come right in the end.

Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.

But as long as you remember what you have seen, then nothing is gone. As long as you remember, it is part of this story we have together.

Don't adventures ever have an end? I suppose not. Someone else always has to carry on on the story.

For Rat Kiley, I think, facts were formed by sensation, not the other way around, and when you listened to one of his stories, you'd find yourself performing rapid calculations in your head, subtracting superlatives, figuring the square root of an absolute and then multiplying by maybe.

As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.

And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.

...What is the use of beauty? i have lived my life surrounded by painters, and still I do not know the answer. But i suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes or lives less miserable so that we might be more kind-well, then, lets have beauty, painted on our porcelain, hanging on our walls, ringing through our stories.

Just as music is noise that makes sense, a painting is colour that makes sense, so a story is life that makes sense.

I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.

Knot the tie and go to work, unknot the tie and go to sleep. I sleep. I dream. I wake. I sing. I get out the hammer and start knocking in the wooden pegs that affix the meaning to the landscape, the inner life to the body, the names to the things. I float too much to wander, like you, in the real world. I envy it but that’s the dealio—you’re a train and I’m a trainstation and when I try to guess your trajectory I end up telling my own story.

All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence.

They (fables) teach us that human beings learn and absorb ideas and concepts through narrative, through stories, not through lessons or theoretical speeches.

A memoir should have some uplifting quality, inspiring or illuminating, and that's what separates a life story that can influence other people.

No story has power, nor will it last, unless we feel in ourselves that it is true and true of us.

When we learn to read the story of Jesus and see it as the story of the love of God, doing for us what we could not do for ourselves--that insight produces, again and again, a sense of astonished gratitude which is very near the heart of authentic Christian experience.

Do not lose hope — what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. (from 'Instructions')