Stories can conquer fear, you know. They can make the heart bigger.
Ben OkriRead
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Stories can conquer fear, you know. They can make the heart bigger.
The danger that keeps me just a little frightened with every book I write, however, is that I'll overreach myself once too often and try to write a story that I'm just plain not talented or skilful enough to write. That's the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.
I was always a storyteller. I just didn't know it. I never shared the stories I made up inside my head when I was growing up. I never wrote them down, either. But I can't remember a time when they weren't there.
The great film editor is not a cutter, he's a storyteller, right?
I think of myself in the oral tradition-as a troubadour, a village tale-teller, _x000D_ the man in the shadows of the campfire. That's the way I'd like to be remembered-_x000D_ as a storyteller. A good storyteller.
Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.
People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away.
Fiction cannot recite the numbing numbers, but it can be that witness, that memory. A storyteller can attempt to tell the human tale, can make a galaxy out of the chaos, can point to the fact that some people survived even as most people died. And can remind us that the swallows still sing around the smokestacks.
To poison a nation, poison its stories. A demoralised nation tells demoralised stories to itself. Beware of the storytellers who are not fully conscious of the importance of their gifts, and who are irresponsible in the application of their art: they
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
Because if we the storytellers don't do this, then the bad people will win.
For the storyteller, for the arrowmaker, language does indeed represent the only chance for survival.
I am a storyteller, and the stories I tell are, when I'm lucky, really good ones. It's a very exciting thing to do with your life, and that's, I think, what keeps me hopeful.
My desire as a storyteller is to always catch the readers off guard; to give them something they aren't expecting, and take them in a direction that is satisfying in the here and non.
For a long time, I bought into the idea that if you are a woman who is a storyteller and a lover of movies, then the best way to express that is as an actress. Obviously, there are women my age who are directors who didn't buy into that idea, but I did - and now I've broken that down inside myself.
My aunt Geraldine was the unofficial historian and storyteller. She had all the information about family members and the gossip that came out of the church because we were very much part of the African Methodist Episcopal Zion Church. At family gatherings, the older folk had the floor, had pride of place, and it was their stories I remember.
People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
People have forgotten how to tell a story.
Man is eminently a storyteller. His search for a purpose, a cause, an ideal, a mission and the like is largely a search for a plot and a pattern in the development of his life story - a story that is basically without meaning or pattern.
There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored.
A story can take you through a whole process of searching, seeking, confronting, through conflicts, and then to a resolution. As the storyteller and the listener, we go through a story together.
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