Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
Vaclav HavelRead
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175 quotes
Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
My theater has always been a political battle on the stage.
I think theatre should always be somewhat suspect.
When I was in college at UCLA, I took a playwriting course. I was all set to be a writer. But I had to take this acting class as a theater arts major. I had to do this scene in a one-act comedy. I just said this line, and then... this laugh happened. I thought, 'Whoa. This is a really good feeling. What have I been missing?'
Film is really the one art form that can effectively use silence. Music and theater can play with silence, but they can't sustain silence without losing energy, whereas film can go into a silent mode and stay there for minutes at a time.
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
Theater in New York is nearer to the street. In London, you have to go deep into the building, usually, to reach the place where theater happens. On Broadway, only the fire doors separate you from the sidewalk, and you're lucky if the sound of a police car doesn't rip the envelope twice a night.
We are being entertained all the time - in the bathroom, on the train, in our beds. Sure, there is a smaller audience for theater. But we know from radio that entertainment never goes away, it just changes. And more power to it.
I learned about life before I went into the theater, which is why I've been so happy. I was a soldier.
If you've been in a film that's seen by millions and millions and millions of people, you're more likely to be recognized for that than for your theater performances, which were seen by considerably less people. Why would I get upset by that?
When I was on dialysis, I willed myself to do 'On the Town.' It accesses my most childlike, joyful love of theater.
When the theater gates open, a mob pours inside, and it is the poet's task to turn it into an audience.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
Theaters are always going to be around, and doing fine. With computers and technology, we're becoming more and more secluded from each other. And the movie theater is one of the last places where we can still gather and experience something together. I don't think the desire for that magic will ever go away.
I think the experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people.
I started off at the Second City in Chicago... It's an improvisational theater that ostensibly does social and political satire, but when I was there, we generally didn't. We did character work, and we did just the silliest things we could think of. We weren't all that concerned with, you know, changing the world through mime.
I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
I was being groomed to be the theatrical caricaturist. And I know if I got that job, I'd never quit. So I quit. I knew I wanted to go into the theater... I wanted to act.
And then it was like, wait, you can go to college and study theater? And act in plays? This is almost a racket, you know. And then when the opportunity came along to do it professionally, I thought I'd won the lottery.
Repertory theater is all about being part of the whole, one of the many colors in this vast palette.
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