Quotes on Want

Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.

One does not want to be deceived, under the supposition that it is injurious, dangerous, or fatal to be deceived.

To be loved because of one's merit, because one deserves it, always leaves doubt; maybe I did not please the person whom I want to love me, maybe this, or that - there is always a fear that love could disappear.

I dont ever want to do anything mediocre. I hear the music in the charts and I dont mean to be rude, but those people have no soul. Learning from music is like eating a meal - you have to pace yourself. You cant take everything from it all at once. I want to be different, definitely. Im not a one trick pony. Im at least a five-trick pony.

I don't want to move to a city where the only cultural advantage is being able to make a right turn on a red light.

If it weren't for the message of mercy and pity in Jesus' Sermon on the Mount, I wouldn't want to be a human being. I would just as soon be a rattlesnake.

Well, I don't know as I want a lawyer to tell me what I cannot do. I hire him to tell how to do what I want to do.

The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.

One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.

If you want to live a long time, don't fool with nothing old but money, nothing big but a bank roll, nothing black but a Cadillac, nothing over twenty-two years, nothing that weighs over 130. If you do, you're in trouble. 'Cause when you're getting old and your cells gettin' low, you'll need a Delco battery to boost ya.

The history of those who shed those other tears, the history of those anonymous millions, is what Terkel wants readers and listeners to come away with. What's it like to be that goofy little soldier, scared stiff, with his bayonet aimed at Christ? What's it like to have been a woman in a defense-plant job during World War II? What's it like to be a kid at the front lines? It's all funny and tragic at the same time.

We are pain and what cures pain, both. We are the sweet cold water and the jar that pours. I want to hold you close like a lute, so that we can cry out with loving. Would you rather throw stones at a mirror? I am your mirror and here are the stones.

Such a wife as I want... must be young, handsome I lay most stress upon a good shape, sensible a little learning will do, well-bread, chaste, and tender. As to religion, a moderate stock will satisfy me. She must believe in God and hate a saint.

Artists are, above all, men who want to become inhuman.

For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.

We often want one thing and pray for another, not telling the truth even to the gods.

We don't, in a sensible world, want to hand on an increasingly dysfunctional world to our grandchildren.

PETA doesn't want stressed animals to be cruelly crowded into sheds, ankle-deep in their own crap, because they don't want any animals to die ever and basically think chickens should, in time, gain the right to vote. I don't want animals stressed or crowded or treated cruelly or inhumanely because that makes them probably less delicious.

BY YOUR RESPONSE TO DANGER IT IS_x000D_ EASY TO TELL HOW YOU HAVE LIVED _x000D_ AND WHAT HAS BEEN DONE TO YOU._x000D_ YOU SHOW WHETHER YOU WANT TO STAY ALIVE,_x000D_ WHETHER YOU THINK YOU DESERVE TO,_x000D_ AND WHETHER YOU BELIEVE_x000D_ IT'S ANY GOOD TO ACT.

My work disturbs people and nobody wants to be disturbed. They are not fully aware of the effect my work has on them, but they know it is disturbing.

Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget.