Quotes on Wanted

She wanted to tell him so mach, on the tarmac, the day he left. The world is run by brutal men and the surest proof is their armies. If they ask you to stand still, you should dance. If they ask you to burn the flag, wave it. If they ask you to murder, re-create.

What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.

When people ask me, ‘how do you make it in show business,’ or whatever, what I always tell them — and nobody ever takes note of it ‘cuz it’s not the answer they wanted to hear…but I always say, ‘Be so good they can’t ignore you.’

All she wanted was to be a little girl, to be efficiently taken care of by some yielding yet superior power, stupider and steadier than herself. It seemed that the only lover she had ever wanted was a lover in a dream

I have always been reasonably leery of religion because there are so many edicts in religion, 'thou shalt not,' or 'thou shalt.' I wanted my world of the future to be clear of that.

What Corrigan wanted was a fully believable God, one you could find in the grime of the everyday... He consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same. He wanted, quite simply, for the world to be a better place, and he was in the habit of hoping for it.

I don't want people confusing what it is that I'm about. I just stand there and sing. And I don't do stunts or anything. if I wanted to do all that, I don't think I'd get away with it.

What I wanted to get at is the value difference between pornographic playing-cards when you're a kid, and pornographic playing-cards when you're older. It's that when you're a kid you use the cards as a substitute for a real experience, and when you're older you use real experience as a substitute for the fantasy.

If the audience knew what they wanted then they wouldn't be the audience, they would be the artist.

Everything he'd done with regard to her in the last three years had been calculated to foreclose the intensely personal sort of talks they'd had when he was younger: to get her to shut up, to train her to contain herself, to make her stop pestering him with her overfull heart and her uncensored self. And now that the training was complete and she was obediently trivial with him, he felt bereft of her and wanted to undo it.

One of the qualities essential to being good at reading poetry is also one of the qualities essential to being good at life: a capacity for surprise. It’s easy to become so mired in our likes or dislikes that we can no longer recall that person who once responded to poems—and to people—without any preconceived notions of what we wanted them to be.

When I created Buffy, I wanted to create a female icon, but I also wanted to be very careful to surround her with men that not only have no problem with the idea of a female leader, but were in fact engaged and even attracted to the idea.

I used to think that if there was reincarnation, I wanted to come back as the President or the Pope or as a 400 basball hitter. But now I would like to come back as the bond market. You can intimidate everybody.

It seems like many people think that if you drive yourself crazy, then you can write. I’m absolutely not interested in that. It made sense to me to be as whole and well as I could be, and as happy. I wanted to see what a fortunate life would produce. What writing would come out of a mind that didn’t try to torment itself? What did I have to know? What did I have to do rather than what can I torment and bend myself into doing? What was the fruit on that tree?

He wanted to appear suddenly to her in novel and heroic colors. He wanted to stir her from that casualness she showed toward everything except herself.

I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.

I wanted real adventures to happen to myself. But real adventures, I reflected, do not happen to people who remain at home: they must be sought abroad.

I was not interested in irony; I wanted to emphasize the primacy of the idea in making art

When I wrote 'We Were The Mulvaneys,' I was just old enough to look back upon my own family life and the lies of certain individuals close to me, with the detachment of time. I wanted to tell the truth about secrets: How much pain they give, yet how much relief, even happiness we may feel when at last the motive for secrecy has passed.

I am one of the lucky people in the world; I found something I always wanted to do, and I have enjoyed every single minute of it.

I didn't get hugely famous really quick. It was a slow, gradual process, so I was able to sort of grow into myself and figure out who I was and what I wanted without the glaring spotlight on me telling me who I was.