A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Sol LewittRead
I was not interested in irony; I wanted to emphasize the primacy of the idea in making art
Interpretation
Sol Lewitt emphasizes that the idea behind the artwork is more important than its ironic execution.
In this quote, Sol Lewitt articulates his belief that the concept or idea that drives the creation of art holds greater significance than the use of irony within that art. This perspective shifts the focus from artistic techniques or styles to the intellectual foundation of art, suggesting that the essence of creative expression lies in the thoughts and intentions behind it rather than purely in its aesthetic presentation.
In practice
A discussion on the importance of conceptual art in a gallery.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
Buying books was a way anyone could acquire a work of art for very little.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
I make the most money, I think, in Russia and Paris, for the people of those countries are so willing to be amused, so eager to see something new and out of the ordinary.
I used to think there was something dirty about being paid for something which is a sacred thing to do. I can't disconnect the act of writing music from the act of prayer. If anyone tries to stop me working, it feels like someone is trying to stop me from taking communion.
There is still a real need for good quality architecture, not paper architecture, but the real stuff.
If, when you wake up in the morning, you can think of nothing but writing . . . then you are a writer.
I agree with Balzac and 19th-century writers, black and white, who say, 'I write for money.' Yes, I think everybody should be paid handsomely; I insist on it, and I pay people who work for me, or with me, handsomely.
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