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In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the rich to the poor, has been flattened, especially by the winners, by Americans. As a Japanese artist debuting in America, I really had to bring that kind of theme into the work.
The works I made at the start of my career rely on the themes of war, atomic power, and outer space.
I've become very, very liberal as far as war is concerned. It's just too terrible. I've been to wars and I've seen what happens. I know what it is to be hurt, and it's nothing compared to these guys. To be blind for the rest of your life. To have prosthetic limbs.
I think its man's nature to go to war and fight.
Lyrically, 'Planets' is the precursor to 'Acid Rain'; it's about a meteoric, intergalactic war that results in an apocalypse and the human species aligning together to go fight something much better than us, our individual trials and tribulations.
Sometimes, with more progressive songs, you lose that feel somewhere along the line, but 'This Means War' never quits - the energy is always there.
Germany has spent the decades since World War II in national penance for Nazi crimes. America spent the decades after the Civil War transforming Confederate crimes into virtues. It is illegal to fly the Nazi flag in Germany. The Confederate flag is enmeshed in the state flag of Mississippi.
Real people speak in my books about the main events of the age, such as the war, the Chernobyl disaster, and the downfall of a great empire.
I couldn't get published for three years. Then the times changed: glasnost, perestroika. So, for three years, I wasn't allowed to publish 'The Unwomanly Face of War,' but then it changed.
I grew up in a village after the war, and in the village, there were almost only women.
I don't remember men in our village after World War II: during the war, one out of four Belarusians perished, either fighting at the front or with the partisans. After the war, we children lived in a world of women. What I remember most is that women talked about love, not death.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
I can't rid myself of the feeling that war is a product of the male nature.
'The Underland Chronicles' is an unnecessary war for a very long time until it becomes a necessary war, because there have been all these points where people could have gotten off the train but they didn't; they just kept moving the violence forward until it's gone out of control.
I think it's very uncomfortable for people to talk to children about war, and so they don't because it's easier not to. But then you have young people at eighteen who are enlisting in the army, and they really don't have the slightest idea what they're getting into.
One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.
There's a basis for the war, historically, in the 'Hunger Games,' which would be the third servile war, which was Spartacus' war, where you have a man who is a slave who is then turned into a gladiator who broke out of the gladiator school and led a rebellion and then became the face of the war.
If I took the 40 years of my dad talking to me about war and battles and taking me to battlefields and distilled it down into one question, it would probably be the idea of the necessary or unnecessary war.
I think we put our children at an enormous disadvantage by not educating them in war, by not letting them understand about it at an early age.
The Civil War always moves me.
During the war, women without nylons drew lines up the backs of their legs to give the illusion of silk stockings. Painting over grey hair with spray-on root touch-up - or even dark eyeshadow - is the Covid-19 equivalent.
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