In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
Real people speak in my books about the main events of the age, such as the war, the Chernobyl disaster, and the downfall of a great empire.
Interpretation
The quote emphasizes the importance of documenting real events and voices through literature.
Svetlana Alexievich's quote reflects her belief that literature should capture the real voices of people experiencing significant historical events. By including real narratives about wars, disasters, and societal changes, she aims to provide a deeper understanding of the human experiences behind major events that shape our world.
In practice
In a book club discussion about contemporary literature, this quote can be used to highlight the significance of real-life events in storytelling.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
Mediocre writers borrow; great writers steal.
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art. There is no doubt that the leaders of the creative artists of the last 50 years concentrated their efforts mainly on eliminating that distance.
I could hardly sit through 'Frozen.' There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.
Style is knowing who you are, what you want to say, and not giving a damn.
We're all born storytellers. It's part of the species. But, more specifically, I suppose a particular combination of sensitivity and trauma made me a writer: an essential disquiet with reality, which required exploration through portrayal.
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