In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
Real people speak in my books about the main events of the age, such as the war, the Chernobyl disaster, and the downfall of a great empire.
Interpretation
The quote emphasizes the importance of documenting real events and voices through literature.
Svetlana Alexievich's quote reflects her belief that literature should capture the real voices of people experiencing significant historical events. By including real narratives about wars, disasters, and societal changes, she aims to provide a deeper understanding of the human experiences behind major events that shape our world.
In practice
In a book club discussion about contemporary literature, this quote can be used to highlight the significance of real-life events in storytelling.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
Nobody ever told me, 'Art is this.' This was good luck in a way because I would have had to spend half of my life forgetting everything that I had been told, which is what happens with most students in schools of fine arts.
You can't just tell actors, especially young ones, to 'act happy' and expect them to do it. They must in some essential way be happy.
Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
When people ask me if I went to film school I tell them, 'no, I went to films.'
In those days it was either live with music or die with noise, and we chose rather desperately to live.
To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude. (The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
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