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We're in this together. We are Americans. We all have to do the best we can. And we will because that's who we are.

Losing my parents, who I admired, loved and needed, it took a long time to be able to move on.

I don't go to any of the big Academy parties while the show is on because, invariably, it turns to people watching me watch the host, and it's not comfortable. I watch at home and hope the show gets to be really good.

I watch old 'Truth or Consequences' on Hulu. 'Concentration.' And 'The Match Game' with Gene Rayburn.

You really have to have some muscle to be on the stage in front of the world.

You have to really respect what your kids are doing with their kids and how they're raising them. You can't push your way into areas where you shouldn't be saying anything. You have to always remember they're not your own kids. Play with them, love them, spoil them to death - then hand them back.

I can't be funny if my feet don't feel right.

I'd like to think there is a Heaven, and it starts from the happiest day in your life.

In the late 1960s, I was working as an usher for the New York stage production of 'You're a Good Man, Charlie Brown.'

Our professor was Marty Scorsese. Marty was a graduate student, or Mr. Scorsese, which is what I had to call him, and still do when I see him 'cause he gave me a C.

I was a film-directing major at NYU. I'm still not sure why I became a directing major, when I was really an actor and a comedian, but there was something that drew me to doing that.

All that time, you go, 'God, am I slipping away here?' And then something great happens, you get a call, and work begets more work.

We're seeing this disintegration of the family movie into these blockbuster things that kids should not be exposed to with explosions, carnage and violence.

That's still the greatest high, that feeling of being in control of 2,000 people. It's me and them, and I like the odds. It's not even so much the funny. It's getting them quiet. In the quiet moments in '700 Sundays,' I just really love that they're getting moved.

I'd stand on a coffee table, and my cousin Edith would give me dimes, and you put the dimes on your head... And when your forehead was full, show was over.

To me, little Mike Wazowski is one of the best characters I ever got to play because he was funny. He was outrageous. He got angry. He was romantic. He was a full, well-rounded character.

The death of Sid Caesar on Wednesday caused a chain reaction in my soon-to-be-66-year-old mind. I was saddened, of course, but felt a sense of relief that he was at last free from the indignity of aging.

As a comedian, you have everything working against you.

I never missed a birthday. I never missed a school play. We carpooled. And the greatest compliment I can ever get is not about my career or performance or anything; it's when people say, 'You know, your girls are great.' That's the real thing for me.

I'm almost shocked that I'm still around after all of these years... and always grateful that I get another turn to do something.

My dad died when I was 15 and worked way too much.

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