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The most extraordinary thing about trying to piece together the missing links in the evolutionary story is that when you do find a missing link and put it in the story, you suddenly need all these other missing links to connect to the new discovery. The gaps and questions actually increase - it's extraordinary.

Television of course actually started in Britain in 1936, and it was a monopoly, and there was only one broadcaster and it operated on a license which is not the same as a government grant.

It is vital that there is a narrator figure whom people believe. That's why I never do commercials. If I started saying that margarine was the same as motherhood, people would think I was a liar.

It was regarded as a responsibility of the BBC to provide programs which have a broad spectrum of interest, and if there was a hole in that spectrum, then the BBC would fill it.

In the old days... it was a basic, cardinal fact that producers didn't have opinions. When I was producing natural history programmes, I didn't use them as vehicles for my own opinion. They were factual programmes.

I'm absolutely strict about it. When I land, I put my watch right, and I don't care what I feel like, I will go to bed at half past eleven. If that means going to bed early or late, that's what I live by. As soon as you get there, live by that time.

I'd like to see the giant squid. Nobody has ever seen one. I could tell you people who have spent thousands and thousands of pounds trying to see giant squid. I mean, we know they exist because we have seen dead ones. But I have never seen a living one. Nor has anybody else.

I would be absolutely astounded if population growth and industrialisation and all the stuff we are pumping into the atmosphere hadn't changed the climatic balance. Of course it has. There is no valid argument for denial.

Cameramen are among the most extraordinarily able and competent people I know. They have to have an insight into natural history that gives them a sixth sense of what the creature is going to do, so they can be ready to follow.

I had a huge advantage when I started 50 years ago - my job was secure. I didn't have to promote myself. These days there's far more pressure to make a mark, so the temptation is to make adventure television or personality shows. I hope the more didactic approach won't be lost.

I don't think we are going to become extinct. We're very clever and extremely resourceful - and we will find ways of preserving ourselves, of that I'm sure. But whether our lives will be as rich as they are now is another question.

Apart from anything else, I am designed by evolution, like we all are: if we see a little thing like that, big eyes, tiny nose, we go 'aaah'. That's what evolution does. We are programmed to do that. So to find babies the most amazing, isn't surprising, I don't think.

The whole of science, and one is tempted to think the whole of the life of any thinking man, is trying to come to terms with the relationship between yourself and the natural world. Why are you here, and how do you fit in, and what's it all about.

All we can hope for is that the thing is going to slowly and imperceptibly shift. All I can say is that 50 years ago there were no such thing as environmental policies.

Steve Irwin did wonderful conservation work but I was uncomfortable about some of his stunts. Even if animals aren't aware that you are not treating them with respect, the viewers are.

Many individuals are doing what they can. But real success can only come if there is a change in our societies and in our economics and in our politics.

If you watch animals objectively for any length of time, you're driven to the conclusion that their main aim in life is to pass on their genes to the next generation.

I've been to Nepal, but I'd like to go to Tibet. It must be a wonderful place to go. I don't think there's anything there, but it would be a nice place to visit.

I mean, it is an extraordinary thing that a large proportion of your country and my country, of the citizens, never see a wild creature from dawn 'til dusk, unless it's a pigeon, which isn't really wild, which might come and settle near them.

You know, it is a terrible thing to appear on television, because people think that you actually know what you're talking about.

I often get letters, quite frequently, from people who say how they like the programmes a lot, but I never give credit to the almighty power that created nature.

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