If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
Until the 20th century it was generally assumed that a writer had said what he had to say in his works.
Interpretation
Writers were traditionally expected to express their thoughts fully in their published works.
John Updike's quote reflects the historical expectation that authors would convey all their ideas and understandings within their literary works. He suggests that before the 20th century, it was taken for granted that a writer's messages, insights, and philosophies would be contained within the pages of their books, without the need for supplementary commentary or explanation.
In practice
In a discussion about literary analysis or the role of the author, this quote can illustrate how perceptions of writing have evolved.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
A people's literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.
Nothing could be more inappropriate to American literature than its English source since the Americans are not British in sensibility.
Great books write themselves, only bad books have to be written.
Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being.
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.
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